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Friday, August 2, 2013

PROLOGUE: THO AN


Prologue: Tho An



























Tho An

Most of the villagers fled when the shooting began. Others hid and waited out the bombing and strafing and napalm in the holes and tunnels under the village. When the F-4 Phantoms - sharks of the air with high triangular tails and turned-down black snouts - finished their work, we moved into the village and the rest of the people came out of the ground and were held in clusters while the demolitions men placed their charges and blew the tunnels.
     Attached to “F” Company, 2nd Battalion, 7th Marines, I
was ordered to guard a group of Vietnamese. There were several mothers, each with one or more young children, two or three older women who might have been mothers of the mothers, and one old man. There were no young men. I was to hold them in a tight group, watching for hidden weapons, threatening movements or attempts to flee. 
         They were terrified, especially the mothers. Foxtrot
Company’s combat engineers were still blowing up tunnels  not many yards from where we were gathered near the village well. One charge showered us with dirt and the sharp smell of burnt C4 from the blast. A Sergeant cursed the engineer for using too much explosive. An occasional bullet from the firing still going on in the village cracked or buzzed by overhead.
        I’d imagined battle, but I’d never imagined this. The 
children I was guarding shrieked at the noise and flying debris and tried to flee their mothers’ arms. With my rifle slung underarm so it was ready to hand, I moved to stop them with the lowered point of my bayonet, which terrified their mothers even more. One child, a baby boy, was in front of the others and closest to me. He tried to crawl past my feet. His screams were so loud they pounded my ears harder than the explosions of grenades and rifles and machine guns nearby. I lowered my bayonet directly in front of his face, horrified. His mother screamed and snatched him back. All the mothers desperately wanted to flee the explosions, but feared my rifle and bayonet more. They wailed in awful concert with their children. The older women joined.
      But the old man: he didn’t wail, cower, try to flee the explosions or shrink back from my bayonet. He just stared at me, afraid but with that resigned, calculated, limited fearfulness of one who is going to die before long anyway, and with a look of the purest hatred I’d ever seen on a human face.

Something happened, as I looked down my rifle and bayonet at the old man and women and children I was holding captive, which would determine the course of the rest of my life. I looked at those people, then looked around me. I saw, in the bright noon light, a veil dropping. There was a feeling of the veil’s movement having a direction: top to bottom, sky to earth. The veil seemed transparent, leaving the artillery-blasted fronds of the palm trees, their napalm-charred trunks, the flaming thatch and skeletal bamboo frameworks of the huts, the urgent movements of the Marines of “F” company, the terrified people at my feet, all looking exactly as they had a moment before. Yet they also looked completely different. I can’t explain that, except to say that suddenly, and ever after, I saw the world through different eyes.

     But it wasn’t just my present and future which I saw differently. That day in Tho An, a process began of re-seeing my entire life, from as far back as I could remember, and of realizing that a gradual accretion of boyhood experiences, beginning long before I entered Marine Corps boot camp, were what had made me a warrior.

Thursday, August 1, 2013

DREAM: CHOCOLATE DONUT NIGHTMARE


DREAM: CHOCOLATE DONUT NIGHTMARE
A couple of years ago, after a years-long string of post Viet Nam nightmares in which I would be pursued by guesome, grimacing enemy soldiers, well armed and intent on killing me, I had what I that was "The Last Nightmare." (See Rattlesnake Dreams, chapters "Money Man Pursuit" and "The Last Nightmare.") All through "The Last Nightmare,"my body felt as if it were erupting like a volcano, until I finally woke up, in a fit of violent laughter. I haven't had one of those dreams since. But just now I awoke from a mid-day nap (erratic sleep patterns). I had dreamed, a half hour ago, that I was showing Edward Snowden around Santa Cruz, California. I was buying us a bag of chocolate donuts, and we were looking for a bench under the trees downtown to sit and eat them. Guess I really am over the nightmares, huh? That is, until I wake up and remember the real one.

Monday, July 29, 2013

BATHING BEAUTIES (POEM)


                                    Bathing Beauties

Del Mar Beach,
California

I.

Slipping sideways under Cinzano umbrellas,
afternoon sun hammers ice
through thin walls of tonic glasses,
extruding beads of lime sweat.

Greased bodies sizzle,
layed out along the griddle
that is the continent’s edge:
so much sexual bacon.

In the outdoor shower,
bikinied teens preen.

At the steps to the beach,
where everyone can see,
a couple stand
so everyone can see.

He is tall, blond,
tan, seventeen.

His muscles are from play,
for playing with:
not from work,
not for working with.

She is shorter, blonde,
nubile, fourteen.

She wears four small triangles
         of blue cloth.

She wears her self-assurance
as if she had already done everything
the older men under the Cinzano umbrellas
         are wishing they could do with her
and found it amusing.

She tosses her hair,
turning to devour
the stares
that are devouring her.

                                   



II.

She is eighty.
She walks with a cane.
She has trouble with the sand.

At the other end of her life,
the soft girl’s bones of her feet were
broken, toes bent back under the arch
to form the desired opening
for a highborn man’s erection, then bound
to heal, if that is the right word, into
a different kind of foot.

They are still bound,
her childhood trapped there
like butterflies pressed
in a book.

You can see
she loves the sun.

She walks carefully
past the perfect couple
past the sizzling Californians
lifting her withered face
pushing the cane with withered hands
down to where the salt foam
washes her shortened feet,
down to where one wave’s foam
smoothes the sand with its coming,
withers the same sand with its leaving,
the withered sand a mirror to her skin.

She lifts her face
smiles into the sun
smiles toward the West,

toward China.


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