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Thursday, September 13, 2012

DEATH OF KRIP AT MANGBUK + DREAM


1968:  Much of this second part is about Tin, a Montagnard warrior who had a history of switching sides in the war, but who was so  valuable to the Americans that they kept him on their team.
     Krip, the young Montagnard who is one of the two children to whom this book will be dedicated, appears near the end of this chapter…

2. Soldier Tin
     Master Sergeant Robert F. Williams (home of record: Las Vegas, Nevada) was showing me around the compound. The trenches had been dug in a zig‑zag pattern so that an enemy grenade or man would only be effective for a short distance should it or he make it over the revetment and into the trench. The trench was punctuated at strategic points by flimsy blockhouses which doubled as machine gun emplacements and homes for Montagnard families.

     Of the low, tin‑roofed buildings similar in construction to the team house, one was a dispensary, and another, in Williams' words, was "the Yards' chow hall". The last syllable of the French word "Montagnard" sounds like "yard", so that's what the Americans called them.
     We went inside the chow hall. It was dark, cool, and smelled and felt of bare wood timbers and earth. When my eyes adjusted to the dark, I could see dim figures squatting about on top of rough wooden tables, eating rice and boiled meat from metal pots with their hands. Williams was telling me how a Special Forces "A" Team and a CIDG unit worked together.
     "We're s'posed to be mostly just advisors, but you know that's bullshit. We command, and it turns out, we do most of the fighting. What we do is send out Yard patrols, anywhere from a squad to a comp'ny with one American along to run the show and keep radio contact with the team house...here's Tin. You heard about him yet?"
     The dark figure stood and saluted as we came up to him. (The Montagnards at Mangbuk saluted all Americans regardless of their dress or status; it was as if they assumed that we were all soldiers, just as they were all soldiers.) In the dark, I couldn't see any difference between Tin and the others.

     "He was with the VC for four years," Williams was saying as we went out into the sunlight, blinding now against our enlarged pupils. "Then he came over to us. Some of the 'yards still don't trust him; they say he's different. For that matter, some of the guys on the team won't turn their backs on him. Hell, I trust him. Absolutely the best man on a trail I ever seen. Never wears shoes, walks like a cat in the jungle, sort of feels it when we're gettin' close to somethin'. 'Fact, he is half animal. But he sure knows that goddamned jungle."
      All the Montagnards were primitive people, and there seemed to be an openness and absence of guile in their faces which I associated with their primitiveness, and which I liked them for, as did most Americans who knew them. It was as if their looks cut across cultural barriers with a bridge of pure humanity. By "looks", I mean both the way they appeared when we looked at them, and the way they looked at us, the way their eyes communicated who they were.
     I saw Tin later out in the compound, in the daylight. He had a primitive look about him too, but it was somehow startlingly different from the simplicity which I saw in the eyes of the others. Williams was right. Tin was wild: in the way he moved, in the way he stood still, and most of all in his eyes.
     I stayed with the team about a week. One night, the night I especially remember, started out pretty much as usual: the orphan children who cooked and cleaned for the Americans had cleared away the dishes, a routine squad‑sized patrol of just Montagnards was sent out for the night, and the team members sat around the team house playing cards, cleaning weapons, listening to the tape recorder, or just talking.

     I was downstairs, or in the kitchen or somewhere out of the way, when I felt that something was wrong. By the time I got to the team room, every motion and every sound by every man there was tersely professional.
     Captain Moroney was talking to the man who had been on radio watch to keep contact with the security patrol. The Montagnard was excited, confused, and having a hard time with his pidgin English. Moroney was trying to calm him down and get the story about what had happened.
     "Tin, he shoot...pow!...he...CIDG...he...."
     "Looks like we've made contact," Moroney was saying. The other Americans were already moving to their weapons: magazines slid into receivers, bolts clicked home; men shrugged into flak jackets and buckled on cartridge belts. Moroney told his American radio operator to advise Kontum of the VC contact and stand by for details.
     "Anybody hit?" Moroney asked the Montagnard. "CIDG ‑ he hit?"
     "Yeah, Tin, he shoot...CIDG, he hit...two, t'ree, four...Krip, he dead."

     "Oh, fuck...look, you tell CIDG he come home, okay? Right now." The Montagnard hurried out, stumbling. "Well," Moroney said to his own men, "let's get out there." Suddenly remembering that he had an atypical factor to consider, Moroney looked over at me. He reached behind himself, snatched a .45 pistol with its belt and holster from its peg on the wall, and tossed it to me. "You were a Marine, right? You'll know how to use this, then." I buckled it on.
     The patrol had not been far away, and had started back right after the shooting. Moroney and his men met them in the jungle on the far side of the airstrip. We could tell from their flashlight beams that they were soon on the way back in, and that for some reason Moroney expected no further contact with the VC, or he would not have used the lights.
     "Well, mister reporter, looks like you get a story after all," the medic said to me on his way out of the team house. "Wanna come down to the dispensary and watch me sew 'em up?" I followed him out.
     Down in the dispensary, we started clearing off the operating table and the benches for patients who could sit. Tucker, the medic, got out a bottle of intravenous solution and hung it on a stand above the operating table. "Always need that, no matter what else happens," he grinned. "We ain't got any blood, but at least we can replace some of the fluid...wonder how many are hit...fuck, I hope this don't keep me up all night."
     First we heard excited voices coming from the direction of the camp gate, then shuffling and scraping noises. Then they burst into the room. One man had a shattered hand, one had a bullet through his leg, one had a bullet through his groin, and one had a bullet through his head: it had entered under his chin and come out through his left temple. He should not have been alive, but he was. It was Tin.
     Tucker looked quickly at each of the four wounded. It was triage time. He paused for a moment between Tin and the man with the bullet through his groin, trying to decide which one to see to first.
     Moroney came in and pointed at Tin. "Keep that bastard alive," he said. "He shot 'em."
     Tucker motioned for the stretcher bearers to get Tin onto the operating table; the other wounded were laid on benches behind the partition.
     "What?" Tucker asked. "What happened?"
     "I donno yet, exactly. But there were no VC. He shot 'em." Moroney pointed again at Tin. "That's why I want him alive. I want to talk to him."
     The team's second medic was seeing to the three other wounded in the adjoining room, and was being helped by a couple of Montagnard boys who were still too young to fight but who had been taught to assist in the dispensary. I was the only man in the room who wasn't busy.
     "Does this sort of thing make you nervous, or can you give me a hand?" Tucker asked. Tin was writhing and groaning and tearing the IV needle out of his arm; he smelled of mud and blood and fear‑sweat, which has a much stronger and more acrid smell than sweat that comes with exertion. I recognized it from having smelled it on myself many times during my own Vietnam tour.

     Tin was hard to handle; his fear made him strong. I cut his clothes off and we lashed him to the operating table with thick hemp rope. Then we had to lash his arms down too to keep him from tearing the needle out, and when Tucker finally got some sulfa powder and a dressing of sorts on the messy part of the head where the bullet had come out, a Montagnard boy and I took turns holding his head against the table so he wouldn't turn it sideways and tear off the dressing and the mangled tissue that protruded from the exit wound low on his left temple. I had to lean over him to hold his head; I saw the wound up close and felt his pulse thundering through his temple above the wound and saw his left eye, cocked crazily because the bullet had passed just behind it. When he shuddered, I wondered if it was like having ahold of an electric eel. The Montagnard boy looked at me across the shuddering Tin with eyes which were curious, but otherwise showed no emotion.
     "Any bets?" Tucker said aloud. "I bet he don't last till morning." He slapped Tin on the belly. "Fucker don't deserve it anyway," he said. "If the skipper wasn't so hot to talk to him, I'd pull the tube on him right now."

     I went back to the dispensary to help with the stretchers when the medevac choppers came. It was dark, moonless. A Huey sat down on the airstrip just beyond the gate, but kept its rotors going at full power in case we were attacked and a quick liftoff was necessary. The gunship escort clattered about in the nearby night sky. The only points of light in our universe were the blinking red tail‑rotor lights on the choppers and one blinding white floodlight on the parapet which shone straight down in front of the gate.
     The rotors whack‑whacked and the red lights blinked and the white light blinded and the dust from the rotor wash swirled and the engines roared and men shouted in four languages, and we ran through that gumbo of sight and sound with the stretchers.
     I was carrying one end of Tin's stretcher. A group of angry Montagnards were waiting for us at the gate, but Moroney and some other Americans were there too and held them back as we ran through. As we were sliding Tin aboard the chopper, one of the Montagnards broke away and came running toward us waving his carbine.
     The little soldier was enraged. "Why you med'vac Tin? Tin kill CIDG! I KILL TIN!" Two Special Forces men put their bodies between him and us and disarmed him, as gently as they could manage in the face of his rage. Now I knew why they wanted me to help with the stretcher: they needed every one of their own to deal with the angry Montagnards.
     The choppers took off and we turned back to the team house; Moroney stayed to cool off the montagnards. "We should've given 'im to 'em," somebody spoke into the darkness.

     The story was pieced together: the squad had settled down for the night, and they had all lain down in the trail to sleep, leaving Tin on watch.
     It had not been long since the Montagnards did their fighting with spears and crossbows; they still did not understand something which any infantryman in a modern army is taught from the beginning: the closer together you are, the better target you present for automatic weapons fire, or for grenades or any other fragmentation device.
     That night, the members of the squad on patrol were huddled together on the trail, asleep in the illusion that their closeness gave them security, when Tin, who was on watch, for no reason that anyone could ever find out, raised his carbine and fired a long burst on full automatic, starting at one edge of the huddled sleepers and moving to the other. That burst killed one man and wounded four others; the man with the bullet through his groin also died later.
     The soldier Moroney was questioning in the operations room had wakened just as Tin started to fire, and had squeezed off one quick burst at Tin. It was one of those bullets which caught him under the chin and passed behind his left eye and out his left temple.
     "How you shoot?" Moroney was asking. "You shoot t‑t‑t‑t‑t... or you shoot pow, pow, one time, two time?"

     The soldier made as if to hold his weapon and imitated the way it would jump when fired on full automatic. "God damn it!" Moroney threw his pencil down and turned away. "I keep telling these people to learn to fire their weapons on semi‑automatic, but they never remember when they get scared. Makes 'em feel safe to throw out a lot of lead." He turned back to the soldier: "Well, okay, you can go now. But you stay here Mangbuk, so I can talk to you. Okay?"
     Later, in the team house, Moroney gave his instructions about how the incident was to be handled. Since Special Forces Headquarters at Kontum already knew there had been an exchange of fire, and since wounded CIDG soldiers would be showing up at the hospital there, a report would have to be made. Moroney did not want to lie and say that there had actually been contact with a VC force large enough to inflict five casualties, because then false information about the presence of enemy troops would be disseminated to other units in the area. But he had been warned about trusting Tin; he also feared outside meddling in a situation which he thought he could handle better himself. He decided that, after all, his official report would describe the incident as contact with a VC force, and instructed his men to keep quiet about it to outsiders.
     "Oh yeah, and where's that reporter?" he turned and pointed an admonitory finger at me. "I don't want one word printed about this, you hear? It would cause too much trouble; they wouldn't understand."    

     The next day, small brown soldiers buried one of Tin's victims in a small coffin made of plain raw lumber. Stapled to one end of the box was a sheet of 8-1/2" x 11" typing paper with a grease pencil epitaph:
                    NAME: KRIP
                    AGE: 18
                    NATION: MONT
                    LOCATION: MANGBUK
                    DATE DIED: 18 JUNE 68

     I stayed at Mangbuk two or three more days. The last I heard from the hospital was that Tin was still alive.
     Sometimes, even now, I think of Tin. I will think that he is probably still alive, because he has already lived through what should have killed him. Other times, I think he must be dead, because he had no place to go from the hospital but back to Mangbuk, where the Sedang were waiting to kill him; and if the Sedang didn't kill him, the VC would, because he left them for the other side; and if the VC didn't get him, the emphesema would, because his people didn't put smoke‑holes in the roofs of their huts.

     The longer I was in or around that war, the more I noticed – or was bludgeoned by – the racially lopsided makeup of the groups of people around me. It showed up, of course, in my dreams.                       
                                       


Dream: Bodies of Water
I am a soldier again, but not in the Marine Corps this time. It's a more irregular force. We drop from higher ground toward a village. It is somewhat familiar; it may or may not be our village. It seems deserted, but we feel other presences. As we march wearily and warily down into the village, there is an inevitability to our marching, that feeling in the body which my dream has borrowed from my Adeste Fidelis march at Camp Pendleton years before. This inevitability is a property not just of our column of dusty, sweaty men. It is a property of the very movements of our limbs, of our muscles and bones, even of our cells. We might as well be insects hatching. The air is thick with risk. Is the village deserted, or are the people (our people? people loyal to the enemy?) hidden in the rude houses behind shuttered windows? Is the danger from them, or from someone else who will come? This land could be the rocky ridges of the West Bank, say an Israeli or Palestinian settlement or village near Jerusalem and Bethlehem; or it could be an open rocky area of the Guatemalan highlands, near where the road forks between Todos Santos Cuchumatán and San Miguel Acatán, only less green; or Guanacaste, Costa Rica, where Ollie North and his cowboys built their secret airstrip for the contras. A small creek, less than three feet wide, runs through the village. The banks of the creek are lined with stones placed by human hands. Some of us kneel to drink; some look warily around, rifles ready, up and downstream. Even we who drink are looking, peering out from under our eyebrows. As I drink, the creek floats a human body beneath my face, almost touching. The creek is barely wide enough for the body to pass. The body is a dark‑haired young man. The head, shoulders, hips, feet, all bump jerkily against the creek's rocky sides as the water carries it along. The body floats face up. His hands are bound behind his back. I look upstream. Another body, another dark‑haired young man, is close behind the first. As my eyes change focus and sweep upstream, I see the creek is filled with bodies of dark‑haired young men in civilian clothes, crowded head to foot, hands bound behind, bumping between narrow rocky creekbanks propelled by a stream of clear water. They clog, jam up, bump into one another like wastage from a doll factory. But the same inevitability which infuses our movements unsticks the bodies, moves them bumpily on downstream. I look farther upstream, lowering my face until it is just above the stream of bodies and clear water. I now can see under the stone-lined culvert from which the stream emerges. In the light that comes through the tunnel, I see legs of soldiers standing on the creekbanks beyond the culvert. They are wearing blue jeans, other civilian pants, boots, tennis shoes, the odd bit of uniform. I see only their legs, and the muzzles of their rifles at the ready. Their legs look like the legs of the bodies in the creek. They also look like our legs. Or they could be the legs of the players, seen through a broken horizontal slat in the fence around any inner-city basketball court in the world. Are they the killers? Are they coming for us? Are they reinforcements for us? Or are they a fresh supply of bodies for the water?

Wednesday, September 12, 2012

TELL THE MEN (POEM)


Tell the Men              
                                                                 
                                                                   ©2012 Dean Metcalf

I.   I am the dream commander.

All around me
along the smoky runway
men fall, strafed
spinning
                bloody
               down.

I scream, but
they will not believe:
our own
     top‑secret
     quiet‑rotor
     radar‑guided
     night‑vision
     heat‑seeking
     dream‑metal dragonflies
have returned
to kill us.


II.  "But they're ours!" men scream
as they stand, are hit, and fall
     spinningbloodydown.
Running, my body floats above the runway
among thumb‑size neon‑red tracers
borne upon their own wind: puffs of it
pass between my ribs.

III. In this dream, only I know:
words
are weapons.

All around me, men see,
trying not to see.

Men fail to aim their words
at the real enemy.

Men drop their books
or read absently

standing in the open
as if life were not dangerous.


IV.  Sergeant!

Work your way along the line.

Tell the men:

Fill sandbags with words.
Build a parapet to fight behind.
If they are the right words
you live.

Tell every man:

Dip each fifth word
in your own blood,
so your shots will glow red:
tracers to locate your targets
in the dark.

Tell every man to sharpen one word.

Say, You must choose:
"yes" or "no."
Snap it onto your rifle,
for when this gets down to bayonets.

Tell all the men:

It's not the men of darker skin
who broadcast our blood upon the land
as a poor shopkeeper tosses water
from a red plastic pail
to settle dust on an unpaved street.

Tell the men:

We toss our own blood in the dust
where crimson arterial spurts of it
roll into powdery skins
like water in flour
no longer recognizable as blood
it could be any dark liquid:
it could be used crankcase oil.

Tell them:

We live and die
     by what we think
     by what we write
     by what we say
     by what we do.

Tell the men:

     Get your words.
     Get in the trenches.
Here they come.




                                                               Dean Metcalf
                                                               P.O. Box 548
                                                               Joseph OR 97846
                                                             3dmetcalf@gmail.com
This poem was first published several years ago in the online journal RIVEN, edited by Michael Spring. Tell the Men© 2012 Dean Metcalf

Sunday, September 9, 2012

HOWARD'S HILL


Howard's Hill

     June, 1966. Staff Sergeant Jimmie Earl Howard was in command of an 18-man patrol of Marines from the 1st Reconnaissance Battalion. These were the guys we’d see trooping past our tent on their way to the nearby chopper pad on their way to make an insertion like the one today, where a chopper would drop them on an isolated hilltop and they’d call in artillery and air strikes on enemy activity they could see below them. 
     I had come on duty for the midnight to 0400 watch at the Direct Air Support Center. Howard and his seventeen men had been surrounded since dusk on top of Hill 488, named Nui Vu on Vietnamese maps, near Chu Lai. The surrounding force was a highly trained, well equipped North Vietnamese Army (NVA) battalion. 
     Apparently the NVA wanted to eliminate one of the recon units which had caused them so much grief by entering their territory and calling in strikes on their training and staging areas. So they committed over two hundred men in the attempt to kill eighteen Marines whose perimeter was less than twenty meters across.

     The fight went on all night long. The Marines held the crest of the hill; the Vietnamese assaulted again and again with automatic rifles, mortars, machine guns, grenades, bayonets. Several of those charges ended in short, violent, handtohand fights. By the time the second charge was beaten back, every Marine on the hill was wounded, and ammunition was so low that they had to fire semiautomatically. By the middle of the night, the Recon boys could see, by flarelight, NVA reinforcements swarming in the valley below. PFC Joseph Kosoglow said later it had looked "just like an anthill ripped apart."(
     We sent up flight after flight of helicopter gunships and jets to strafe and rocket the steep slopes around our men. An Air Force flare ship orbited above the hill to drop parachute flares; it was always supposed to be relieved on station when it was low on fuel. We coordinated that relief from the DASC. On the radio, I heard one Air Force pilot say he had to leave before his relief arrived because he was low on fuel, and heard a Marine piloting one of the helicopter gunships - I later heard he was a major - tell the Air Force pilot that he would personally shoot down the flare ship if it left before relieved. The major didn't live to be courtmartialed. He was killed before morning, flying rocket runs again and again down the throat of one of four NVA .50 caliber machine guns that were tearing up the men on the hill. The gun got the major. I don't know if the major got the gun, but he sure kept it busy for a while.
     When I left the DASC just before dawn, I could see the fireworks over Hill 488: flares, rockets, the long lovely parabolic arcs of red tracers. With dawn came better visibility, more air strikes, an airlifted company of Marine infantry. Later, we heard stories from the Recon guys, whose tents were near ours in the 1st MarDiv compound. 

     One Marine and one NVA soldier were found dead with their rifle muzzles touching each other's chests. Two of the Marines' entrenching tools were found, bloody, in a circle of "mangled" NVA. One dead Marine was embracing the last man he'd killed, still gripping his KABAR knife where he'd buried it in the back of the enemy soldier in his embrace.(
)

    But they'd held Hill 488. Of the eighteen Recon Marines, twelve were still alive. All were wounded. They had eight rounds of ammunition among them. The hill was called Howard's Hill by Marines after the fight. It still is, among those who remember. But the Marines left the hill the day they won it.

     Jimmie Earl Howard got the Medal of Honor. Years later, I talked with Jack Shulimson, a Marine Corps Museum historian who said that Howard’s hair had turned white within days after that fight, that he’d been a decorated veteran of Korea before he ever went to Vietnam, but had had a rough time of it after Nui Vu.
     Howard's call sign, by the way, was "Carnival Time."