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Saturday, December 1, 2012

SOLDIER TIN / DREAM: BODIES OF WATER

SUMMER 1968 Out of the Marine Corps... for the summer, Jim Martin and I returned to Southeast Asia as student journalists. I spent a week in a US Special Forces "A" team camp near the Laotian border. This is the second of two chapters about that week:

2. Soldier Tin

     Master Sergeant Robert F. Williams (home of record: Las Vegas, Nevada) was showing me around the compound. The trenches had been dug in a zigzag pattern so that an enemy grenade or man would only be effective for a short distance should it or he make it over the revetment and into the trench. The trench was punctuated at strategic points by flimsy blockhouses which doubled as machine gun emplacements and homes for Montagnard families. 

     Of the low, tinroofed buildings similar in construction to the team house, one was a dispensary, and another, in Williams' words, was "the Yards' chow hall". The last syllable of the French word "Montagnard" sounds like "yard", so that's what the Americans called them.
     We went inside the chow hall. It was dark, cool, and smelled and felt of bare wood timbers and earth. When my eyes adjusted to the dark, I could see dim figures squatting about on top of rough wooden tables, eating rice and boiled meat from metal pots with their hands. Williams was telling me how a Special Forces "A" Team and a CIDG unit worked together.
     "We're s'posed to be mostly just advisors, but you know that's bullshit. We command, and it turns out, we do most of the fighting. What we do is send out Yard patrols, anywhere from a squad to a comp'ny with one American along to run the show and keep radio contact with the team house...here's Tin. You heard about him yet?"
     The dark figure stood and saluted as we came up to him. (The Montagnards at Mangbuk saluted all Americans regardless of their dress or status; it was as if they assumed that we were all soldiers, just as they were all soldiers.) In the dark, I couldn't see any difference between Tin and the others.

     "He was with the VC for four years," Williams was saying as we went out into the sunlight, blinding now against our enlarged pupils. "Then he came over to us. Some of the Yards still don't trust him; they say he's different. For that matter, some of the guys on the team won't turn their backs on him. Hell, I trust him. Absolutely the best man on a trail I ever seen. Never wears shoes, walks like a cat in the jungle, sort of feels it when we're gettin' close to somethin'. 'Fact, he is half animal. But he sure knows that goddamned jungle." 
      All the Montagnards were primitive people, and there seemed to be an openness and absence of guile in their faces which I associated with their primitiveness, and which I liked them for, as did most Americans who knew them. It was as if their looks cut across cultural barriers with a bridge of pure humanity. By "looks", I mean both the way they appeared when we looked at them, and the way they looked at us, the way their eyes communicated who they were. 
     I saw Tin later out in the compound, in the daylight. He had a primitive look about him too, but it was somehow startlingly different from the simplicity which I saw in the eyes of the others. Williams was right. Tin was wild: in the way he moved, in the way he stood still, and most of all in his eyes.
     I stayed with the team about a week. One night, the night I especially remember, started out pretty much as usual: the orphan children who cooked and cleaned for the Americans had cleared away the dishes, a routine squad sized patrol of just Montagnards was sent out for the night, and the team members sat around the team house playing cards, cleaning weapons, listening to the tape recorder, or just talking. 

     I was downstairs, or in the kitchen or somewhere out of the way, when I felt that something was wrong. By the time I got to the team room, every motion and every sound by every man there was tersely professional. 
     Captain Moroney was talking to the man who had been on radio watch to keep contact with the security patrol. The Montagnard was excited, confused, and having a hard time with his pidgin English. Moroney was trying to calm him down and get the story about what had happened. 
     "Tin, he shoot...pow!...he...CIDG...he...."
     "Looks like we've made contact," Moroney was saying. The other Americans were already moving to their weapons: magazines slid into receivers, bolts clicked home; men shrugged into flak jackets and buckled on cartridge belts. Moroney told his American radio operator to advise Kontum of the VC contact and stand by for details.
     "Anybody hit?" Moroney asked the Montagnard. "CIDG  he hit?"
     "Yeah, Tin, he shoot...CIDG, he hit...two, t'ree, four...Krip, he dead."
     "Oh, fuck...look, you tell CIDG he come home, okay? Right now." The Montagnard hurried out, stumbling. "Well," Moroney said to his own men, "let's get out there." Suddenly remembering that he had an atypical factor to consider, Moroney looked over at me. He reached behind himself, snatched a .45 pistol with its belt and holster from its peg on the wall, and tossed it to me. "You were a Marine, right? You'll know how to use this, then." I buckled it on.
     The patrol had not been far away, and had started back right after the shooting. Moroney and his men met them in the jungle on the far side of the airstrip. We could tell from their flashlight beams that they were soon on the way back in, and that for some reason Moroney expected no further contact with the VC, or he would not have used the lights. 
     "Well, mister reporter, looks like you get a story after all," the medic said to me on his way out of the team house. "Wanna come down to the dispensary and watch me sew 'em up?" I followed him out.
     Down in the dispensary, we started clearing off the operating table and the benches for patients who could sit. Tucker, the medic, got out a bottle of intravenous solution and hung it on a stand above the operating table. "Always need that, no matter what else happens," he grinned. "We ain't got any blood, but at least we can replace some of the fluid...wonder how many are hit...fuck, I hope this don't keep me up all night."
     First we heard excited voices coming from the direction of the camp gate, then shuffling and scraping noises. Then they burst into the room. One man had a shattered hand, one had a bullet through his leg, one had a bullet through his groin, and one had a bullet through his head: it had entered under his chin and come out through his left temple. He should not have been alive, but he was. It was Tin.
     Tucker looked quickly at each of the four wounded. It was triage time. He paused for a moment between Tin and the man with the bullet through his groin, trying to decide which one to see to first. 
     Moroney came in and pointed at Tin. "Keep that bastard alive," he said. "He shot 'em."
     Tucker motioned for the stretcher bearers to get Tin onto the operating table; the other wounded were laid on benches behind the partition. 
     "What?" Tucker asked. "What happened?"
   "I donno yet, exactly. But there were no VC. He shot 'em." Moroney pointed again at Tin. "That's why I want him alive. I want to talk to him."
     The team's second medic was seeing to the three other wounded in the adjoining room, and was being helped by a couple of Montagnard boys who were still too young to fight but who had been taught to assist in the dispensary. I was the only man in the room who wasn't busy. 
     "Does this sort of thing make you nervous, or can you give me a hand?" Tucker asked. Tin was writhing and groaning and tearing the IV needle out of his arm; he smelled of mud and blood and fearsweat, which has a much stronger and more acrid smell than sweat that comes from exertion. I recognized it from having smelled it on myself many times during my own Vietnam tour. 
     Tin was hard to handle; his fear made him strong. I cut his clothes off and we lashed him to the operating table with thick hemp rope. Then we had to lash his arms down too to keep him from tearing the needle out, and when Tucker finally got some sulfa powder and a dressing of sorts on the messy part of the head where the bullet had come out, a Montagnard boy and I took turns holding his head against the table so he wouldn't turn it sideways and tear off the dressing and the mangled tissue that protruded from the exit wound low on his left temple. I had to lean over him to hold his head; I saw the wound up close and felt his pulse thundering through his temple above the wound and saw his left eye, cocked crazily because the bullet had passed just behind it. When he shuddered, I wondered if it was like having ahold of an electric eel. The Montagnard boy looked at me across the shuddering Tin with eyes which were curious, but otherwise showed no emotion. 
     "Any bets?" Tucker said aloud. "I bet he don't last till morning." He slapped Tin on the belly. "Fucker don't deserve it anyway," he said. "If the skipper wasn't so hot to talk to him, I'd pull the tube on him right now."

     I went back to the dispensary to help with the stretchers when the medevac choppers came. It was dark, moonless. A Huey sat down on the airstrip just beyond the gate, but kept its rotors going at full power in case we were attacked and a quick liftoff was necessary. The gunship escort clattered about in the nearby night sky. The only points of light in our universe were the blinking red tailrotor lights on the choppers and one blinding white floodlight on the parapet which shone straight down in front of the gate. 
     The rotors whackwhacked and the red lights blinked and the white light blinded and the dust from the rotor wash swirled and the engines roared and men shouted in four languages and we ran through that gumbo of sight and sound with the stretchers. 
     I was carrying one end of Tin's stretcher. A group of angry Montagnards were waiting for us at the gate, but Moroney and some other Americans were there too and held them back as we ran through. As we were sliding Tin aboard the chopper, one of the Montagnards broke away and came running toward us waving his carbine. 
     The little soldier was enraged. "Why you med'vac Tin? Tin kill CIDG! I KILL TIN!" Two Special Forces men put their bodies between him and us and disarmed him, as gently as they could manage in the face of his rage. Now I knew why they wanted me to help with the stretcher: they needed every one of their own to deal with the angry Montagnards.
     The choppers took off and we turned back to the team house; Moroney stayed to cool off the montagnards. "We should've given 'im to 'em," somebody spoke into the darkness.
     The story was pieced together: the squad had settled down for the night, and they had all lain down in the trail to sleep, leaving Tin on watch. 
     It had not been long since the Montagnards did their fighting with spears and crossbows; they still did not understand something which any infantryman in a modern army is taught from the beginning: the closer together you are, the better target you present for automatic weapons fire, or for grenades or any other fragmentation device.
     That night, the members of the squad on patrol were huddled together on the trail, asleep in the illusion that their closeness gave them security, when Tin, who was on watch, for no reason that anyone could ever find out, raised his carbine and fired a long burst on full automatic, starting at one edge of the huddled sleepers and moving to the other. That burst killed one man and wounded four others; the man with the bullet through his groin also died later.
     The soldier Moroney was questioning in the operations room had wakened just as Tin started to fire, and had squeezed off one quick burst at Tin. It was one of those bullets which caught him under the chin and passed behind his left eye and out his left temple. 
     "How you shoot?" Moroney was asking. "You shoot t-t-t-t-t... or you shoot pow, pow, one time, two time?"
     The soldier made as if to hold his weapon and imitated the way it would jump when fired on full automatic. "God damn it!" Moroney threw his pencil down and turned away. "I keep telling these people to learn to fire their weapons on semiautomatic, but they never remember when they get scared. Makes 'em feel safe to throw out a lot of lead." He turned back to the soldier: "Well, okay, you can go now. But you stay here Mangbuk, so I can talk to you. Okay?"
     Later, in the team house, Moroney gave his instructions about how the incident was to be handled. Since Special Forces Headquarters at Kontum already knew there had been an exchange of fire, and since wounded CIDG soldiers would be showing up at the hospital there, a report would have to be made. Moroney did not want to lie and say that there had actually been contact with a VC force large enough to inflict five casualties, because then false information about the presence of enemy troops would be disseminated to other units in the area. But he had been warned about trusting Tin; he also feared outside meddling in a situation which he thought he could handle better himself. He decided that, after all, his official report would describe the incident as contact with a VC force, and instructed his men to keep quiet about it to outsiders. 
     "Oh yeah, and where's that reporter?" he turned and pointed an admonitory finger at me. "I don't want one word printed about this, you hear? It would cause too much trouble; they wouldn't understand."     

     The next day, small brown soldiers buried one of Tin's victims in a small coffin made of plain raw lumber. Stapled to one end of the box was a sheet of 8-1/2" x 11" typing paper with a grease pencil epitaph: 
     
                    NAME: KRIP
                    AGE: 18
                    NATION: MONT
                    LOCATION: MANGBUK
                    DATE DIED: 18 JUNE 68

     I stayed at Mangbuk two or three more days. The last I heard from the hospital was that Tin was still alive. 
     Sometimes, even now, I think of Tin. I will think that he is probably still alive, because he has already lived through what should have killed him. Other times, I think he must be dead, because he had no place to go from the hospital but back to Mangbuk, where the Sedang were waiting to kill him; and if the Sedang didn't kill him, the VC would, because he left them for the other side; and if the VC didn't get him, the emphysema would, because his people didn't put smokeholes in the roofs of their huts.


                        
Dream: Bodies of Water

I am a soldier again, but not in the Marine Corps this time. It's a more irregular force. We drop from higher ground toward a village. It is somewhat familiar; it may or may not be our village. It seems deserted, but we feel other presences. As we march wearily and warily down into the village, there is an inevitability to our marching, that feeling in the body which my dream has borrowed from my Adeste Fidelis march at Camp Pendleton years before. This inevitability is a property not just of our column of dusty, sweaty men. It is a property of the very movements of our limbs, of our muscles and bones, even of our cells. We might as well be insects hatching. The air is thick with risk. Is the village deserted, or are the people (our people? people loyal to the enemy?) hidden in the rude houses behind shuttered windows? Is the danger from them, or from someone else who will come? This land could be the rocky ridges of the West Bank, say an Israeli or Palestinian settlement or village near Jerusalem and Bethlehem; or it could be an open rocky area of the Guatemalan highlands, near where the road forks between Todos Santos Cuchumatán and San Miguel Acatán, only less green; or Guanacaste, Costa Rica, where Ollie North and his cowboys built their secret airstrip for the contras. A small creek, less than three feet wide, runs through the village. The banks of the creek are lined with stones placed by human hands. Some of us kneel to drink; some look warily around, up and downstream, rifles ready. Even we who drink are looking, peering out from under our eyebrows. As I drink, the creek floats a human body beneath my face, almost touching. The creek is barely wide enough for the body to pass. The body is a darkhaired young man. The head, shoulders, hips, feet, all bump jerkily against the creek's rocky sides as the water carries it along. The body floats face up. His hands are bound behind his back. I look upstream. Another body, another darkhaired young man, is close behind the first. As my eyes change focus and sweep upstream, I see the creek is filled with bodies of darkhaired young men in civilian clothes, crowded head to foot, hands bound behind, bumping between narrow rocky creekbanks propelled by a stream of clear water. They clog, jam up, bump into one another like wastage from a doll factory. But the same inevitability which infuses our movements unsticks the bodies, moves them bumpily on downstream. I look farther upstream, lowering my face until it is just above the stream of bodies and clear water. I now can see under the stone-lined culvert from which the stream emerges. In the light that comes through the tunnel, I see legs of soldiers standing on the creekbanks beyond the culvert. They are wearing blue jeans, other civilian pants, boots, tennis shoes, the odd bit of uniform. I see only their legs, and the muzzles of their rifles at the ready. Their legs look like the legs of the bodies in the creek. They also look like our legs. Or they could be the legs of the players, seen through a broken horizontal slat in the fence around any inner-city basketball court in the world. Are they the killers? Are they coming for us? Are they reinforcements for us? Or are they a fresh supply of bodies for the water?    

Monday, November 26, 2012

FOOD CHAIN (POEM)


                         Food Chain

or: The 52nd Screaming Fish
of Thanksgiving Day, 1971

                              by Dean Metcalf


You, fish

I, fisherman

we are the Cain and Abel of muscle.

Your yellowfin tunabelly
full of lesser fish
that you have murdered,

you take my double hook
your yellow side thunders under water
slapping sunlight up through blue water
all the way back to the sun.

You fight for your life.

I fight for your life.

Braided nylon line
slices my hands with
the electromuscular force
of your fighting, then massages
sea water and diesel fuel and fish slime
into the cuts.

I, sunburned sinew, throw
silver, blue, and yellow
thrashing muscular you
screaming, bleeding
to the heaving bloody oily
     salt steel deck.

Your scream is tiny:
a squeak, like escapes the quick turn
of basketball shoe on maple floor
yet in my ear it makes the whole blue Pacific
resonate with your dying.

I reach into your slime‑slick,
     hard‑rubber jawed,
     finetoothed mouth
for the hook;
you bleeding screaming
staccato tail‑flap
sewing‑machine‑STITCH
the hook across my hand,
leaving perfect dots of blood.

My skipper's voice grapples with the voices of the wind
and the Jimmy 671 diesel engine:

"You got other fish on!
Get that hook
back in the water!"

My hand is trapped inside your mouth,
all wrenching teeth and hook‑points.

I raise the other hand,
shout into the wind,
make a fist,
hammer it down,
crush your skull.

Your eyeball,
the size of a small lemon,
scoots: does it transmit
the sight of triumphant bloody me
     aboard a dizzy deck
back to your squashed fishy synapses?

Your fifteen pounds of perfect muscle
shudders, lets go my hand.

Your blood and mine mix with diesel
and seawater, wash out the scuppers,
returning home.

I will unload your body
at the Star‑Kist Cannery.
I will walk to the hock shop in San Diego,
redeem my guitar, adding the fifty cents
your life means to me
to the dollar amounts of the lives
of your frozen kin
here in the hold of the Dora B.

Or I will fall overboard
where sharks circle,

waiting.



                                                                        ©1971, 2012  Dean Metcalf