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Saturday, December 28, 2013

TUMALO


Tumalo

I hitched a ride eastbound in central Oregon. Maybe I’d go visit my aunt Bessie and uncle Lank in Baker. Mostly, I just wanted to breathe the thin, dry air that had felt so right to me as a boy and younger man. Unspoken, and perhaps unthought, was also the desire to touch and feel something which I had known before the war as clean and beautiful and…normal, and healthy. Every day in grad school, and too many of the nights during and following the weeks of preparation for my lecture on the politico-military writings of Mao Tse-tung and Vo Nguyen Giap, had wrapped the war back around me like a bloodsoaked blanket. 
I was broke, but had a little food in my pack: oatmeal – my grad student’s stay-alive staple - and some brown sugar and dried milk to mix with it, and coffee. I lived from campground to campground. Fine with me: I was back in Oregon.
Settled in the back of a rancher’s pickup, I was watching the juniper, sage, and Ponderosa pine flit past, when I saw a small road sign with an arrow pointing down a gravel road to Fish Lake.
Fish Lake! I squirmed around and thumped the top of the pickup’s cab, told the driver I wanted to camp here, and lowered my pack to the ground and thanked him as he rolled to a stop.

It was the same Fish Lake where Mom and Bill Gano and Darrell and I and Bessie and Lank had spent a weekend fishing for bullheads, when Darrell and I were still young kids, a few years ago. A lifetime ago. I carried my pack, and the cheap guitar in its gig bag which I’d bought in San Francisco, and settled into a campsite with a picnic table and fire ring near the water’s edge.
The next day a young couple with a daughter 2 or 3 years old drove up and settled into the campsite next to mine. As dusk turned to dark and the family were setting up camp, the man walked into the sphere of light from my fire. “My name’s Jack,” he said, holding out his hand. Jack and Gloria and their baby daughter, Christiann, and I hit it off pretty well and sort of became a little tribal unit. I was good at scrounging firewood, and with the camping stuff they’d brought in their old Chevy, our two campsites became a homey little village. Even my inexpert guitar-thumping seemed somehow right in that time and place. I started writing a little song:

All these green rivers
are followin’ me
trying to carry me 
home to the sea…

The next day, Jack and Gloria asked if I wanted to move with them to a favorite campsite back to the west, closer to Bend. It felt good hanging out with them, and the move would put me closer to the coast. I needed work in order to eat, and had been seduced by rumors of the good money to be earned crewing on albacore boats off the coast. So I gladly joined their family troupe.

Tumalo Creek was somewhat more than a quiet mountain stream when we got there. Its steep gradient at that point in the foothills of the Cascade range, and the June snowmelt which was then at its heaviest, combined to make Tumalo a roaring, tumultuous river when we unloaded the car and made camp on its southern bank. It was beautiful. Little Christiann played nearby in the woods between our campsite and the riverbank as we set up camp. Jack and Gloria kept watchful eyes on her, lest she go too near the water, but seemed to have reached a parental agreement not to discipline their child harshly: “Christiann, be careful now. It’s not safe near the water.”
Our shared campsite was in pretty good shape by dark, and we made a meal together. I roamed the woods  bringing in dry twigs for kindling, and larger limbs to hold the fire into the night, while Gloria and Jack busied themselves cooking and Christiann darted happily around all of us. 
By late the next morning we had settled comfortably into life in our “homestead.” Christiann was playing as if she’d grown up there, and Jack and Gloria and I were relaxing in the June sun…  
“Jack! Where’s Christi?!!  We all ran to the water’s edge – not there – and searched quickly among the trees nearby. Not there either. “If she’s in the water, we have to get her NOW,” I said sharply, my veteran’s instincts telling me that the child’s life was, in these few seconds, in the balance.
          I ran a few yards downstream and jumped in, close to the bank: if she were trapped under the bank, there was still a chance… the unforgiving current, only recently melted off the shoulders of the mountains immediately above us, was pure ice water. And its strength! - the current yanked me sideways with a power I hadn’t imagined, even after looking at and listening to it up close for a day. It was impossible to straighten my legs enough even to touch the bottom, three or four feet deep. I tried for a while to grope under the bank, hoping I would touch something soft. But no: everything was cold, rough, and moving violently. My situation changed: having at first thought only of getting to Christiann in time, I now realized that Tumalo Creek could easily kill more than one person in these few minutes. The bank blurred past. Jack and Gloria were already out of sight upstream. The current was too powerful for me to search in it. I reached for something on the bank strong enough to hold me as I climbed out. My first two tries yielded handfuls of gravel and broken sticks. Then I grabbed with my right hand onto  the root of a large tree that grew back from the water’s edge. The current yanked me violently downstream, my grip held – I now realized I was holding on for my life – and my momentum flopped me up onto the bank like a large, terrified fish.

Jack went for help while Gloria and I kept searching the nearby woods, shouting often, “Christiann…Christiann!” and listening after our shouts for any timid, or playful, or pained, reply. We heard only birds and squirrels.
Jack came back with an old man who lived with his wife in a cabin near the bridge which crossed Tumalo Creek nearby. His name was Bob Hendrickson. He seemed a very level-headed man, and knew the surrounding area because it was National Forest, and made his living partly in those woods, cutting and hauling dead timber and selling it for firewood. He said we needed more help, and hurried back to his cabin to phone the Sheriff’s Office. They would put together a search party.
Vehicles and people began to appear. Deputies’ wives and neighborhood women who lived along the river, and those of their husbands who weren’t working that afternoon, or could get off, organized themselves into a search party. Women brought potato and macaroni salads and set up propane stoves to prepare hot dishes for the searchers. They’d all done this before.
In a short time – it was still early afternoon – Deschutes County was mobilized in a way that rural Americans have always done, with people stepping into a breach when one of their own is in serious trouble. This time, it was a two and a half year old girl. No questions asked.
County agencies organized around their leaders. Smoke jumpers arrived from their base near Redmond, a few miles away from the county seat at Bend. Men who were accustomed to being in charge took charge, organizing all of us into search details, communications details, and groups to feed all of us.
All except Jack, Christiann’s father. The head of the local Search and Rescue unit had instructed Gloria to stay at our campsite, which became base camp for the search. If Christiann was found by any of the searchers, she would immediately be brought to her mother at our campsite, which had also blossomed into a paramedics’ station. 
But Jack had become useless. Gloria quietly let us know that Jack had previously had a drug problem, had been recovering pretty well, but also kept some pills on hand. She told us, her face a tortured mixture of worry for her child and worry and shame about her child’s father – they weren’t married – that as soon as Jack returned with Bob Hendrickson and the search began to get organized, Jack had taken some pills. Quite a few of them, she said. She called them “reds.”
I joined the search. Jack was flaked out on his sleeping bag, barely conscious, not speaking. At first the search leaders thought I was the father, because I was trying to be part of the effort, and was obviously worried. Gloria and I finally made it clear that I had known them only two days, that Christiann’s father was the man lying on his sleeping bag, seemingly incapable of speech. Eyes searched Gloria’s face and mine, and the camp scene. Shadows crossed all our faces as glances and stares first probed, then were averted. 
A team of divers had been called in as soon as the search was organized. One man equipped with wet suit, a belt of lead weights, and rubber boots sealed at their tops, entered the rampaging creek tied to a safety line with one of his teammates holding the other end of the line around his hips and following along on the creekbank.
That effort lasted only a few minutes. The water was too swift, even for a man so equipped, to actually search the creek bottom and under the banks. As the divers conferred with the Search and Rescue leaders, the reality of the situation showed itself: they were now searching for a body, not a live child; and any person, however well trained and equipped, who tried to work in the stream was in immediate danger of losing his own life. The calculus was unavoidable: the risk of losing a second life was not worth the chance of finding a corpse – not even the corpse of a young child. The dive team packed up and left, saying they’d return when the water lowered. The rest of us continued searching the woods.

We searched all night, shouting “Christiann! If you hear me, make some noise, please… Christiann!” Our shouts into the darkness took on a pleading tone, as if all of us were begging God to send some alternate message besides the one that was forcing its truth upon us. During one of my return trips to the campsite during the pre-dawn hours, when I grabbed something to eat before heading back out into the woods, the Sheriff’s deputy who was head of Search and Rescue also appeared at our campsite. He spoke to Gloria, telling her the news: everyone was still searching, but there had been no sign of Christi: not a thread of clothing… nothing. Not a clue. Then he looked across the campfire at the prostrate Jack, looked at me, looked at Gloria, inhaled sharply, and spoke: “Lady, I’ve never said anything like this before; never had to. But I gotta say it now: You’re with the wrong man.”
Gloria stayed quiet, bending her head lower under this new flood of grief.
Dawn brought a reorganization of the search. But it did not bring Christiann. Jack, who had been essentially unconscious all night, began to stir as noon approached, and even to speak a little in quiet tones to Gloria. He’d recovered enough to move himself around some, and he and I were sitting on opposite sides of Gloria, on one of the heavy timbers which constituted the main structure of the bridge across Tumalo Creek. Bob Hendrickson stood beside us as the head of Search and Rescue approached and knelt in front of Gloria and Jack and me.
He spoke to Gloria: “Ma’am, I’m sorry to have to tell you this. We’ve done all we could do, and there’s just been no sign. Not a thread… nothing. A few people will keep searching the woods in daylight, in case something turns up. But we’re formally calling off the search, as of now. I’m very sorry.”
The news cudgeled Gloria and Jack and me and Bob Hendrickson into a long silence. Then Jack spoke softly to Gloria, using some of those words people sometimes use when there are no words, something like, “She’s at peace now...”
Gloria’s grief erupted: “NO! ..NO!..OH PLEASE GOD NO!” Jack and I were on either side of her, both just lending a shoulder as best we could. It seemed to me then, and I remember it now, 41 years later, that the power of her grief was actually making the bridge tremble beneath us.

I stayed and worked in the woods with Bob Hendrickson for two or three weeks. He taught me how to fall a tree with his chain saw, and I would fall snags and buck them into stove lengths and split them with his maul and wedges and haul them to his cabin until we had a load to take to town and sell. For a while Bob and I kept looking in the underbrush as we worked, on the tiny chance that we’d see a colorful flash of child’s clothing pinned under a tree, but finally giving up as we realized that if we found something, it would be something we did not want to see.
A few weeks later Bob gave me a lift to a highway junction, where I unloaded my pack and guitar, shook hands with the man whose friendship I had earned in sadness, and stuck my thumb out in the wind, hitching toward the coast. 



I drifted to Astoria and hung around the docks unloading albacore boats for food money, until I met Dick Mathews on an adjacent barstool in the Mermaid Tavern and he took me aboard the Anna Marie, a fifty-six foot converted purse seiner out of Juneau, Alaska. 
     Dick couldn't afford to pay me. I worked for meals, figuring that the experience I gained could later get me hired on a different boat for a share of the catch.

     The wolf dream had been the war's long arm yanking me out of graduate school. I guess I thought the war would leave me, or I would leave it, if I quit the situation where I spent so much time thinking about why humans went to war. But the war followed me to the boats - not, of course, in any way I would have expected.

Saturday, December 21, 2013

BATHING BEAUTIES (poem)


                                    Bathing Beauties

Del Mar Beach,
California

I.

Slipping sideways under Cinzano umbrellas,
afternoon sun hammers ice
through thin walls of tonic glasses,
extruding beads of lime sweat.

Greased bodies sizzle,
layed out along the griddle
that is the continent’s edge:
so much sexual bacon.

In the outdoor shower,
bikinied teens preen.

At the steps to the beach,
where everyone can see,
a couple stand
so everyone can see.

He is tall, blond,
tan, seventeen.

His muscles are from play,
for playing with:
not from work,
not for working with.

She is shorter, blonde,
nubile, fourteen.

She wears four small triangles
         of blue cloth.

She wears her self-assurance
as if she had already done everything
the older men under the Cinzano umbrellas
         are wishing they could do with her
and found it amusing.

She tosses her hair,
turning to devour
the stares
that are devouring her.

                                   



II.

She is eighty.
She walks with a cane.
She has trouble with the sand.

At the other end of her life,
the soft girl’s bones of her feet were
broken, toes bent back under the arch
to form the desired opening
for a highborn man’s erection, then bound
to heal, if that is the right word, into
a different kind of foot.

They are still bound,
her childhood trapped there
like butterflies pressed
in a book.

You can see
she loves the sun.

She walks carefully
past the perfect couple
past the sizzling Californians
lifting her withered face
pushing the cane with withered hands
down to where the salt foam
washes her shortened feet,
down to where one wave’s foam
smoothes the sand with its coming,
withers the same sand with its leaving,
the withered sand a mirror to her skin.

She lifts her face
smiles into the sun
smiles toward the West,

toward China.


                                                                       ©2012 Dean Metcalf
                                                                                 P.O. Box 548
                                                                                 Joseph OR 97846

Friday, December 13, 2013

SAIGON: LA COP


Saigon 

1. LA Cop

    1968: a housemate from Colorado College and I took off the summer between our  junior and senior years, and spent it as student journalists in Vietnam, and in my case, also Cambodia and Laos. Some things from that summer   are a continuum in my memory: I recall traveling to the place, who was there, where I went next. Other things are isolated, like one of those oldfashioned photographic portraits with just a face in an oval: no background, no past, no intimations of the future. 
     This story is like that. Somewhere in a hallway of MACV (Military Assistance Command, Vietnam) Headquarters in Saigon, I was talking to a man, a stocky middleaged American. He wore civilian clothes and a sidearm in a shoulder holster. He was telling me that he was a cop; he'd been walking a beat in Los Angeles when opportunities opened up for American policemen to go to Saigon and work as advisors to the police there. 

     I told the man I was a journalist. He gave me this strange look, from deep within himself, then said something like, "...huh. You want a story...." and hinted that he knew one that would curl my hair. I said I was all ears. He said he couldn't really tell it, that it was secret. But he wanted to tell it, I knew by the way he stayed rooted where he stood, the way he quickly and repeatedly engaged and disengaged my eyes with his. I said we could go somewhere and talk. I said I could keep his name out of it. He said he couldn't do it. But he wouldn't move to leave, and I wouldn't either, so we both just stood there. I leaned against the wall. Casual. I gave little prompts: "So, police work?" That kind of thing. He would shift his weight, start to turn away, then turn back and say one more thing. This went on for a while. Police work, well, yeah. They would go out at night. They would go to villages, towns. Just a few men. They had a list. Suspected VC. Big shots. Sometimes names get added to the list. He paused, shifted, spoke to me with his eyes, pleading with me to understand what he was saying but not saying: Lotta names get crossed off the list. 

Saturday, December 7, 2013

SLOW BREEZE HAIKU



Slow breeze, slant light. Shh:
               aspen leaves rub, laugh silver.
                        Sunset. Thoughts of you.



                                    Dean Metcalf

Wednesday, December 4, 2013

UNFINISHED POEM ABOUT BABII YAR



UNFINISHED POEM ABOUT BABII YAR             © 1992, 2013
                                                                         by Dean Metcalf

There is a wall, with a door.

Most of us stay
and play
and work
and love
and fight
in the varied, rolling human turf
on this side of the wall.

But there is a place beyond.

I have approached that door,
seen it open,
looked through to the space beyond.

I wouldn't call it a room ‑ a desert maybe,
a soul‑searing place with no boundaries save
the laws of force.

I don't know everything
about what's beyond the wall ‑
but I know too much.

I leaned my hand against the door‑jamb.
It was hot to the touch.

A putrid smell wafted through the door.
How do I know that smell?

I recall pulling the halves of fuel drums
from beneath the seat of our outhouse at Chu Lai
with its panoramic view of the winding muddy Song Tra Bong,
dousing the piles of runny shit and toilet paper with diesel fuel
and lighting them, smelling the black roiling stench as it rose
into the monsoon sky.

I remember the smell of bamboo ignited by napalm,
hydrocarbon cousin to the exhaust fumes of the F4 Phantoms
that swooped low over us to lay it down before us
in tumbling silver obelisks.

I remember the rotten‑garbage smell of the fear‑sweat
in my own armpits, nights on sentry duty when
the bushes out in front of the bunker began
their creeping dance by flarelight, and
I hugged my machine gun
and my fragmentation grenades
and my double‑edged
     hand‑forged
     Randall‑made
     eight‑inch
     fighting knife as if they were mother, lover, home.

In the book there are many photos.
They are black and white, often grainy, ill‑focused,
as if the very glass of the lens
could not abide
the rhythms of the light that entered.

One photo shows a Latvian militiaman, supervised by German officers, rifle under his arm at a certain angle, guarding
a group of Jewish civilians
about to be shot
near Liepaja,
Latvia, in December, 1941.

The angle at which the soldier
holds his rifle, fourteen months before I was born and
a third of a world away, enters the lens to remain and remind me,
fifty years later, of a time when I looked down the barrel of my own M14 rifle, past the bare bayonet at its end, near the well
at Tho An, at a group of terrified Vietnamese women and children
and one old man who would not hide
his hatred.


In my life, I have played and loved and fought in the varied human terrain on this side of the wall, and

I have ventured close.

I was reading a book.



I returned from the basurero.

I scraped my boots.

It was not enough.

I must wash them,

in a tub,

under the spigot.

I must use a stiff brush.


Years after Vietnam, I had a dream.

I was alone.

They were after me: a battalion
 of gray‑uniformed SS, wearing that helmet,

hunting only me, bristling with automatic rifles,

hunting only me...



When I read a book,

the numbers of pistol shots in the book

enter my dreams. Then, in my dreams, my own hands hold

pistols my hands have held....



Come. We must back up to the doorway,

leave this place,

re‑enter the room of everyday life,
where human mercy, though it does not rule
(how would mercy rule?),
exists.

We must scrape our boots, you and I.
But that is not enough. There ‑ do you see? ‑
‑ there, on your boots too.
We'll wash our boots together,
in a tub,
under the spigot.
We'll use a stiff brush.

Molecules of childhoods fluttered into the air
above Babii Yar, multicolored butterflies
hovering above the gore. Mothers of daughters
and sons of mothers and fathers and grandfathers of
mothers of thousands of rollicking babies
screamed their screams into the air
above Babii Yar, where birds cupped their wings
and used these puffs of people's final breaths
to beat their wings against
and get away
from Babii Yar.

The molecules containing what remained
of 3,700 human lives
rose up in the sky over Babii Yar
and stayed there, forming,
to this day, nuclei of all raindrops
that have since fallen
in Earth's attempt
to leach the venom from
the poisoned holy soil
of Babii Yar.

Sunday, December 1, 2013

TELL THE MEN (poem)


BLOG POST http://rattlesnakedreams.blogspot.com

TELL THE MEN   (poem)


Tell the Men            
                                                               
                                                                   ©2012 Dean Metcalf

I.   I am the dream commander.

All around me
along the smoky runway
men fall, strafed
spinning
                bloody
              down.

I scream, but
they will not believe:
our own
      top secret
    quiet rotor
    radar guided
      night vision
    heat seeking
      dream metal dragonflies
have returned
to kill us.


II.   "But they're ours!" men scream
as they stand, are hit, and fall
    spinningbloodydown.

Running, my body floats above the runway
among thumb size neon red tracers
borne upon their own wind: puffs of it
pass between my ribs.

III. In this dream, only I know:
words
are weapons.

All around me, men see,
trying not to see.

Men fail to aim their words
at the real enemy.

Men drop their books
or read absently

standing in the open
as if life were not dangerous.


IV.  Sergeant!

Work your way along the line.

Tell the men:

Fill sandbags with words.
Build a parapet to fight behind.
If they are the right words
you live.

Tell every man:

Dip each fifth word
in your own blood,
so your shots will glow red:
tracers to find your targets
in the dark.

Tell every man to sharpen one word.

Say, You must choose:
"yes"
         
or

"no."

Snap it onto your rifle,
for when this gets down to bayonets.


Tell all the men:

It's not the men of darker skin
who broadcast our blood upon the land
as a poor shopkeeper tosses water
from a red plastic pail
to settle dust on an unpaved street.

Tell the men:

We toss our own blood in the dust
where crimson arterial spurts of it
roll into powdery skins
like water in flour
no longer recognizable as blood
it could be any dark liquid:
it could be used
crankcase oil.

Tell them:

We live and die
by what we think
by what we write
      by what we say
      by what we do.

Tell the men:

      Get your words.
    Get in the trenches.
Here they come.




Dean Metcalf
                                                        P.O. Box 548
Joseph OR 97846
                                                             3dmetcalf@gmail.com
This poem was first published several years ago in the online journal RIVEN, edited by Michael Spring. Tell the Men© 2012 Dean Metcalf

Tuesday, November 26, 2013

ANY LITTLE THING (poem)


                                    Any Little Thing

   

In any thing
in any one tiny thing – choose,
say, one of the firewood chips scattered across
the dark brown band of the goat hair rug
on my cabin floor, or choose the red fox
I saw out this window yesterday
stopping, turning its head so alertly
that it seemed to be radioactive, sitting
long enough to allow me to admire it, then
darting off across the same crust of snow
I would break through
when I walked up to see
its dainty doggy tracks. Choose

the chip, choose the fox,
choose the empty Gatorade bottle
lying on its side
on this same rug. I
don’t give a shit: choose
anything you want. In that
chip of lodgepole pine, in that
red fox glittering like some new red sun
against the twilit snow,
in that plastic jug, or in this
goddamned little keychain, guitar pick,
chopstick, moth, you name it,
in any one small thing you
care to name, there is a window
a clear enough window

on everything.



                                              
                                                   Copyright(c) Dean Metcalf
                                                              
                                                                        3/20-21/2000

Thursday, November 21, 2013

HAULING ANCHOR IN SHELTER COVE



Quartet: Fish          

1. Hauling Anchor in Shelter Cove

     The albacore, and a small fleet of jig boats following them, were off the California coast outside San Simeon, where William Randolph Hearst had his castle built. It  began to blow, with gusts in the range of thirty to forty knots. That made the seas too nasty for fishing from these boats. The wind itself made the trolling lines pretty useless anyway; they flailed about and jerked the lures out of the water too much of the time.
     A dozen or so boats made for the anchorage at San Simeon. Dick Matthews pointed the bow of the Anna Marie a little north of east, and we pulled in among the other boats already at anchor about midafternoon. He found a space open enough for the boat to swing on its anchor cable with a change in tidal current, and we dropped the hook. I stayed on deck to keep watch, lest we or a nearby boat should drag anchor and head toward its neighbor. Dick and his wife Ella went into the wheelhouse and relaxed with the two kids, taking their time and making an evening meal for all of us on the galley's diesel cook stove.       

     Shelter Cove was a good enough anchorage, but it wasn't perfect. It offered only partial protection from northwest winds, which was what we were trying to escape. And as darkness came, more and more boats slipped into the cove from outside, so that it would have been considered pretty crowded even in calm weather. 
     The weather wasn't calm. Though we'd escaped the brunt of the blow that was still howling offshore, the wind in the cove itself was over twenty knots, which is a little gnarly for being at anchor anyway. And the swells from outside continued to roll in under us, slide up the beach, and turn into a surf that pounded the rocks well within sight and hearing. No one, on any boat in the cove that day, could have been without some fear of dragging anchor and being swept onto the rocky beach. Dick got on the “Mickey Mouse” - the short range CB radio - and talked with skippers of a couple of boats near us. We all agreed to keep a continuous watch. 
     We ate our dinner as it got dark, and took our time cleaning the dishes and galley. Dick and Ella put the kids to bed in the forecastle, and we sat and talked awhile. Our conversation ranged here and there, to people we knew, places we'd been, schools we'd studied at -  Dick had graduated Summa Cum Laude after three years at Harvard - but the talk kept circling back to where we were, and to the wind. We kept hoping the wind and seas would die down, but they didn't. 

     Our anchor was holding in the sandy bottom. So, apparently, were those of the boats near us. Things looked not great, but not terrible either. We all agreed that we could sleep, which we needed badly after bucking several days of heavy weather outside, but that I should bring my sleeping bag up and roll it out on the hatch cover, to keep a closer eye and ear on the boat, the weather, and the sea.
     Sometime during the night, I started awake, feeling something wrong but not knowing what. Dick burst from the wheelhouse door, half dressed. 

     The anchorage was a snarl of frenetic activity. The wind had suddenly picked up, and just as suddenly changed direction 180 degrees. Boats pivoted too fast and too far on their anchor cables. Diesel engines roared into the wind as skippers maneuvered their boats up to now-dragging anchors and raised them, while trying to avoid collisions with other boats attempting the same maneuver. Radio channels crowded with urgent voices as men shuffled who should move through which opening first, in the scramble to get under power and out of the cove. Too preoccupied to go into detail, Dick said something about having heard about occasional contrary winds that would swoop down one of the canyons that footed on the cove, then quickly die out and give way to another such wind howling down a different canyon from a different direction.
     Dick started the main engine. Ella and I went forward to the bow to watch for other boats and make sure the anchor cable coiled properly onto its drum. Dick engaged the anchor winch. Nothing happened. The winch whirred, but the cable didn't move, didn't pull the Anna Marie toward her anchor, not a foot.
     Just when we needed it - desperately - the anchor winch had failed. There had been no warning. 
     The kids woke up. An emergency at sea sends shock waves through a small vessel; something beyond unwonted noises or motions of the boat will snap sleeping humans back from any momentary forgetfulness that they are, after all, at sea, and that the combined power of wind and water can take you down quickly, without warning. 
     Dick and Ella at first thought to put the kids back in their bunks below decks, so we'd be free to work. But they looked at each other and I could see agreement pass between them. Hunh-uh. Not below decks, not now. Ella got them into their life jackets and told them to wait in the wheelhouse, where they could see us through its forward windows, and we could see them. 
     While she did that, Dick had been looking over the winch, trying to find the problem. He turned to us with apology, and the beginnings of panic, on his face. He directed a questioning look at me. "I'm not much of a mechanic," I said. I'd spent time at sea in the service, but as a Marine aboard ships of the "gator navy," not as a seaman. The Anna Marie was my first experience as a deckhand, and I'd only been aboard a couple of weeks since Dick and I met at the Mermaid Tavern.

     We knelt at the winch, while Ella made nervous trips from rail to rail, watching for other boats, pausing to reassure Christina and Alec at the wheelhouse window, tow heads sprouted from orange life jackets. I felt her conflict: one instinct told her to stay with the children, to hold them, to shut out the world for them. Her knowledge of that world told her in equally strong terms that the survival of her children depended more on avoiding a collision with another boat than on comforting them. So she had to endure the yawning distance of several feet from them, had to bear their pleas like a cross. 
     "What's wrong with it?" I asked Dick as we knelt by the winch housing, the size of a kneeling man, bolted to the foredeck immediately in front of the wheelhouse. "What's supposed to happen isn't happening," he said. I didn't know if I could help with the mechanical situation, but it was becoming apparent that Dick was beginning to be afraid that his spirit of adventure had gotten him in over his head, and that his life and that of his wife and their two very young children might be in the balance. But he was still the skipper, the only one who could really handle the boat. Somehow, I would have to help him, to inject some calmness into his bloodstream so that we didn't lose what was still our most valuable resource: our captain. As we knelt by the anchor winch, neither of us could avoid hearing the surf crashing on the rocks not far astern; nor could we shut out the knowledge that the wind was dragging us toward them. 

     "These two are supposed to engage," Dick was saying, putting his hand on the side of the winch where a heavy cylinder about a foot and a half in diameter rotated freely in the housing. The rotating part was connected to the winch's motor, and was turning fine. But the larger ring that was concentric with it, with a separation of an eighth of an inch, wasn't moving. That ring was the drum that, when the lever was thrown to engage the winch, was supposed to rotate along with the cylinder at its core, and reel in the anchor cable with enough power to haul the Anna Marie up to her anchor.
     The winch housing was a smooth casting, with no way to even see inside it short of unbolting the whole thing from the deck and lifting it off, a job that would require a crane, and much more time than we had. That was drydock work.
     "So, if this..." I pointed to the spinning cylinder – engages this..." – I put my hand on the larger stationary ring – "...and turns it, then the winch will work?" I asked.      "Should," Dick said. 
     "Do you have any of those little steel wedges we use to drive into the end of a hammer or axe handle, to tighten a loose head?" I asked. 
     "No." 
     "Got any spikes, or big nails, or any other soft steel?"
     He brightened a little. "Nails, I've got nails."
     "Got a cold chisel?"
     "Yes." 
     "Get me nails, cold chisel, hammer, hack saw if you got it, a pair of channellocks or visegrips to hold the nails."
     He disappeared below, obviously grateful to be doing something, and for the appearance of another shoulder under his load.

     I knelt on the deck by the large steel cleat between the anchor winch and the bow. Dick came back with the nails - 16 penny bright commons - and the tools. 
        "These your biggest nails?"
        "Yes."
        "They'll have to do."
     Ella continued her patrol, slipping past us as she moved from one rail to the opposite one, stopping where the kids still had their heads and arms stuffed through open windows of the wheelhouse. She made an occasional quick detour aft to check for danger there. 
     I shut out the world of wind and seas and other boats. They were Ella's responsibility now; she would handle it. The world narrowed, slowed. Long instants, like fat ripe fruits of time, floated before me to be picked. The universe was a small ellipsoid with two focal points: the cleat and the winch. I used the cleat for an anvil. 

     "Dick. Hold this nail with the pliers, here." I hammer end of nail into wedge, cut it off with cold chisel. One blow, one cut. Quick, deliberate. Each piece a wedge. Blacksmith rhythm now, WHAMPta, WHAMPta, WHAMPta.... A small pile of steel wedges. "Dick, disengage the winch. Drive these wedges into the crack, the ring between the cylinder and the cable drum. Ella. Need another hammer. Dick. Place each wedge across the circle from the last one; always opposite pairs, points of a compass. Try it now, engage the winch. "It turns! ah, slips again. Okay. Disengage. More wedges. Try it again. It turns, it turns!" 
     But it turned with only enough power to pull in slack cable. When the slack was taken up, and the boat's tonnage straightened the cable, it slipped again.
     Ella, Dick, and I talk about options: we can hacksaw the cable, kiss off thirty or forty fathoms of cable, the anchor chain, the anchor, get the fuck out of this maelstrom. But then we'd be back out in the weather, with no anchor to get us behind shelter somewhere else, in case the wind out there gets even worse than it is now.
     Can we pull it in by hand? Can we get a few feet at a time, use the winch to take up the slack cable, pull again? The cable has to go on the winch. If we just take it up and drop it on deck, it will turn into an unmanageable snarl. A coil or two falls overboard, slides aft, gets caught in the propeller, rips the drive shaft out through the hull, down we go, glub glub.       
     In a safe harbor, in quiet water, one strong person can get a line on a piling and brace against a boat's rib or a deck cleat and lean into it and move – very slowly - a boat the size of the Anna Marie. With no opposing force but the friction of the water, and no hurry, it can be done, a foot at a time.
     In Shelter Cove, we were in a frenzy of forces so much bigger than our physical selves that we were toys, rag dolls tossed by a nasty sea.

    What source of power do we have? We have the engine. "Ella. We're stronger. Take the wheel." (This is Dick talking now, he is the captain again). "Pull us forward, slowly, a little bit, till I say stop. We'll pull a few yards of cable onto the forecastle by hand, then you hold that position while we coil the slack cable with the winch. Then we do it again."
     Ella tried mightily, concentrating, forcing herself to ignore her children in order to save them, trying to feel the wheel and the throttle and to translate our shouts into the right movements of her own hands. But Dick had always handled the boat in harbors and anchorages, in any touchy situation, the captain's job.
     She couldn't do it, she hadn't been trained. She missed the timing, the Anna Marie lurched against her cable and made our wedges slip; or she went too far forward and the cable looped down in the water, slid aft along the gunwale, too close to the propeller. Dick would have to take the wheel. Ella and I would have to pull the cable. There was no other way. They traded places, remorse smudging both faces as they passed. 

     Dick got on the horn, tersely told nearby skippers our situation. They took responsibility for staying clear of us. They all hauled their anchors and turned out to sea. They kept in touch with us. One or two pulled away but stayed within sight, using their engines and rudders to buck this way and that into winds that would change direction ninety degrees or more in a minute. 
     O what a nice touch Dick had. He became inspired, a poet of throttle and kingpin. He relaxed, he rode the seas, he read the seas, he felt the tension on the cable, he watched the meager coils of cable we'd dump to the deck, he took my shouts and headwags as if made by parts of his own body, turning them into just the right easing forward, just the right holding of a position relative to the anchor. He timed the rhythm of his throttling with the rise and fall of the seas, so that when the bow dropped into a trough, Ella and I would have several feet of slack that we didn't have to fight for, and when the bow started to rise on the next sea, he'd ease off so we wouldn't get yanked overboard, or have our hands slammed into the bowstem, or lose all the cable we'd just earned.   

     Ella pulled cable like John Henry's wife drove steel. We bent beside each other, on either side of the cable, each bracing both feet against the point where the two sides met at the bowstem, and we pulled, four gloved hands on the cable. She didn't care about the leather of the gloves tearing, she didn't care about her hands tearing on the broken steel strands, she just pulled, she didn't care about the slamming of her kneecaps against the bow, she didn't care about the ominous compaction of her vertebrae when her refusal to slide her grip, to give up cable earned, suddenly transferred the pull of a tricky wave along the cable to our coiled backs. She wanted every inch of that cable, she would by God have it, she didn't care about the hair in her eyes, she didn't care how she looked, she didn't seem to care about the fact that we were both pulling on the same cable, and that the bulkheads we were braced against formed a sharp corner at the bow which made a tight pile of our four rubber-booted feet and jammed her body against the body of a man she hardly knew, she didn't care that she mingled straining arms with me, she didn't care that she butted heads with me. 
     That, she laughed at. She laughed and pulled.
    We would get some coils on deck; Ella would jump over and engage the winch. Dick would keep us steady. I’d hold the cable to keep it from sliding back overboard. We'd reel the slack cable onto the drum. Then we'd pull in more cable, and dump it in slack coils on the fo’c’sle deck. 
     Slowly, over the minutes or centuries or whatever game Time was playing then, the angle of the cable, where it snaked down into the water from the bow, changed. It steepened. 
     Finally, the cable pointed straight down. We were directly over the anchor. Shit. We hadn't thought this far. It was one thing - one groaning, tearing, tissue-sacrificing thing - to haul fathoms of cable aboard the Anna Marie till she was above the anchor. But could we lift the anchor? "What does it weigh?" "175 pounds." "What does the chain weigh, the fathoms of heavy links between the cable and the anchor?" "I donno. Probably more than the anchor." 
     But now we have to raise it. We're no longer anchored- the pick is bobbing up and down in the blackness above the ocean floor - and we can't get under way either, because our forward motion would sweep the anchor aft, now hanging free on fifteen fathoms of cable and chain, and draw the cable into the prop. We can't stay in one place; the seas will put us on the rocks.
     We must haul it. Ella and I look at Dick, at each other. We all know. I move my hand up and down, in the same rhythm as the seas. Dick nods. He comes out of the wheelhouse. The engine is at idle, which means we are drifting toward shore. The three of us lean over the cable, wait for the bow to drop into a trough, then scramble to beat gravity, to take advantage of the momentarily lesser weight of the anchor and chain and cable to take in a few feet more, then brace for the moment when the bow starts up the sea on the far side of the trough, making the weight we're holding multiply itself. The plummeting weight crunches us against the bulkheads, against each other, slams us to our knees on the plank deck, steals some of the cable we've just earned. 

     The Anna Marie, no longer under power, turns slowly sideways, lying in the trough, her bow shaking side to side like a terrier killing a rat. We can't handle the combined violence of up and down and side to side. Dick has to go back to the controls, has to wrestle the throttle and the  rudder and the wind and the seas and the position of the cable and himself until we are again facing into the seas, with the anchor dangling directly below the bowstem. He must stay there. Ella and I must haul the anchor and chain. We are drifting closer to where the surf is crashing on the rocks.        
     Ella and I work with the rhythm again, stealing precious feet of cable from the ocean as the bow drops. One of us has an idea. Just before the boat starts to climb the side of a new sea, multiplying gravity's effect and tearing the cable through our hands, we push down hard on the cable just inside where it crosses the bowsprit, so that it crimps just enough to give us a mechanical advantage. We become a two-human ratchet, able to hold against the extra weight. 
     We are pulling the cable and it stops dead, before we hit the bottom of the trough. Something's wrong, something mechanical. We crimp it and wait for the next trough, poke our heads over the bow, look down. The first fat link of the anchor chain is lodged against the steel plate at the point of the bow. "Dick, the chain! the chain!"      We're only a few fathoms from the anchor now. There is plenty of space between the protective plate and the ring that arches over it like a ferrule on a fishing rod to keep the cable or chain in place. But the increased diameter of the chain means that we'll have to get the first link of the chain several inches higher, and without tension, to pass it through the ring. 
     For that we need slack. 

     "Ella. Next trough, I'll reach over, lift chain and anchor from outside, give you slack. Get the first couple of links through the ring, then crimp it down and hold for your life, that's all we need the first time is two links inside and hold."
     We do it, I heave one lunge, she drops the links inside the bowstem and holds them, risking her hands. I swing one hand inside to hold with her, the weight tears the chain out of my other hand as the Anna Marie hits the far side of the trough and lunges skyward.
     But we have captured the beginning of the chain. We keep working that way, pulling in the chain. It is very different from the cable. It gives us a better grip, and holds more surely when crimped. But slippage of a chain that size, pulling a committed grip across a steel plate, does not mean torn tissue. It means mangled hands, missing fingers.

     More of the weight is coming aboard now. Our load is lightening. The coils of cable on the anchor winch are covered by coils of chain. Now comes the anchor, rusted flukes dipping in and out of the water. Ella and I lean over and just haul, straight up, knowing this is it, knowing that the few feet of chain still out aren't enough to reach the propeller and foul it, that our remaining danger is to leave the anchor dangling from the bow where it could knock a hole in the planking, but ho, there is no fucking way that fucking pick is not coming afuckingboard now, we reach down and grab the anchor together and heave it like Judo wrestlers up and over the bowstem, we fall in a wet clanking heap with it to the fo'c'sle deck. Dick guns the engine, the Anna Marie shakes her fanny at the rocky beach, we head for open sea, one woman, two men, a little girl named Christina, a little boy named Alec, and one Jimmy 671 diesel engine all screaming into the wind.

     Weeks later, after I was hired aboard another boat, Dick and I ran into each other in the Caravan Bar in Monterey. We got to swapping stories. After he'd told me about putting Ella and the kids ashore in Bolinas and fishing alone for a few days, I told him about my new skipper and boat, Doyl Myers and the Dora B. We paused. Dick wanted to talk about the night in Shelter Cove.
     He said he'd been scared, that he hadn't had a clue as to what to do about the anchor winch, that mostly he'd just had this dreadful feeling that things were falling apart, and that nothing he could do as skipper or husband or father would be able to hold his world together. But I had found a way, he said. 
     "How did you do that?" he asked.
     I thought for a long moment. My answer surprised both of us. "Vietnam," I said. What did I mean, he asked. I said it had been like combat. I told him about things moving in slow motion, about there being enough time to move, about getting inside the fear and snuggling it and about making the situation into a technical problem rather than an emotional one. I told him about the time after Tho An when the company commander had told us to be ready to assault with fixed bayonets into a village which sounded like it had two or three .50 caliber machine guns on the enemy side, and I'd slept soundly for eight hours so I'd be ready.
     The other thing I learned about war that night in Shelter Cove I don't think I told Dick during our talk in the Caravan bar. It came to me gradually over the years. It was that working as we had on the boats, especially as Ella and Dick and I had worked hauling the anchor, had satisfied some of the deepest hungers in me, needs that I've come to know had sent me to war more surely than the reasons I'd been given, and which I had given to myself at the time: the need to be in danger and to perform my way out of it, to save something or someone precious, and to be recognized for having done it.