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Saturday, September 21, 2013

RATTLESNAKE AIR


Rogue River 2: Rattlesnake Air

     Eastern Oregon began to settle into my bones. I loved the higher altitude, the crisper air, the snow in winter instead of rain. I loved hunting rabbits and deer with Bill Gano in the open country east of Klamath Falls. There were even good trout-fishing streams.
But there was no Rogue River. 
     I became nostalgic for the river. Jack Dunham and I had been friends in school before the summer of 1956 when Mom and Bill moved us to Klamath Falls. We were both skinny kids with glasses who didn’t have to study much, so we had time to prowl the hills and streams around Grants Pass like the couple of wild Indians we often imagined ourselves to be.      
     The Rogue River had flowed through our lives, a great presence at once mythical and real. When a heavy Spring rain would add its volume to that of the snowmelt from the Cascade Range, the Rogue would sometimes live up to its name and flood, suddenly and unpredictably, swatting homes and small motels from its banks with a casual power. But most of the time it glittered bright green and white over the rounded stones of its bed as it took sharp turns through the canyons on its way to slide into the Pacific at Gold Beach, or thundered over rapids into deep green pools where we'd swim and fish, with spinning rods and worms, for the rainbow trout we shared the river with, ignoring our elders' warnings about what a rogue the river truly was, and how many overconfident boys it had claimed. 
     August was a special time on the river. A critical component of that specialness was, of course - no school! The felt approach of September would concentrate the urgency of our adventures, the long warm evenings allowing us to stay out later. The lower water level let us sidle right up next to the river's heart. The pools where we and the trout tried to trick one another shrank until we could wade into the edges of the dark secret rooms where they lived. 
     August air became hot and dry and still as it hung in the timbered canyons above the river, with western Oregon's rainy winter a doubtful memory as pickup-tossed dust rose in serpentine coils above the dirt roads that laced the woods along the riverbanks. 
     Blackberries would ripen. Having stored moisture from a wetter time, they hung - lumpy, whiskered obsidian pendulums - along road- and trailsides. The sun would hit the berries and the dark green leaves that crowded out from the thorny red vines and the air would thicken with more than odor: walking there, you breathed an atmosphere of hot blackberries and dust and pine sap that was so close and right that it seemed that that mixture, rather than oxygen, was what your blood waited to extract from the air and turn into cells of muscle and bone. 

     Sound would do its part along the Rogue in August. The near - cessation of air movement through the canyons removed what had been, at other times of the year, a huge and constant presence: the lowpitched but loud sibilance of the wind's passage through, and scraping together of, pine and hemlock and spruce and cedar needles, and the leaves of laurel, madrone, manzanita, chinquapin, chestnut, live oak. 
     Maybe the sun stirred the insects to make their buggy music, or maybe they were doing what they always did, but now we could hear them better in the absence of that larger noise. In any case, an electric buzz settled above the river, in which raspy cricket calls provided a rhythmic warp onto which was woven the buzzes, whines, and drones of deerflies, black flies, mosquitoes, and gnats that crowded the still, dusty air. 
     This electric buzzing air had another meaning along the Rogue: rattlesnake. Oddly, the received wisdom that we breathed in with the blackberry air had it that the snakes shed their skins in August, adding a new button to their rattles as they did so, and that late summer was the only time of year when rattlers couldn't be counted on to give their warning, as well as the time when they were out in greatest numbers. This made August the most dangerous time of the year, snakewise, along the river. 

     Whether or not the Rogue's buzzing August atmosphere actually included rattlesnake shakes, the mixture of dust and still air and heat and insect noise along the river had the meaning, for us kids who grew up there, of rattlesnake air. That was just the way it was. But the blackberries were still there, the river was still there, the trout were still there, and September and school were approaching. So we had to go to the river in August, fishing till dusk in the deep green pools, then gathering baseball capfulls of dusty blackberries along the roadsides and returning to the river to wash our berries, clean our trout and feed their guts to their still-swimming cannibal relatives, and eat the berries and drink cool water from one of the little creeks that flowed into the river and take a final swim in the evening light to rinse the dust from us. We'd trudge home with our freshly gutted trout strung on forks of willow branches we'd cut with our pocket knives. 

     Tragedy struck: we began to grow up. Sports and girls and the awe-inspiring world of junior high school pulled us back from the banks of the Rogue. During the summer after seventh grade - 1956 - Bill Gano had lost his job in a chrome mine just across the line in California, and the sawmills around Grants Pass weren't hiring. He and Mom had packed Darrell and me into the '53 Studebaker, stuffing it and a UHaul trailer with everything we owned, and set off looking for work. Where we found work was where we would live. Mom set a deadline of September 1st. We had to have found work by then, and had to have a place to live and have enough money for the first month's rent, so Darrell and I could start school with the other kids.     
     We made the rounds of small Oregon towns. My memory is of the dusty smell of hot velveteen seat covers, of Darrell and me squeezed into the back seat along with a pile of bedding; of Bill plodding the dust of sawmill yards, farms, ranches, and welding shops looking for work; and of Mom trying to get on at grocery stores or butcher shops as a checker or meat wrapper. 
     In late August, we ended up in Klamath Falls, still with no work. Mom dropped the hammer: this is it, the boys will go to school here. We had enough money from parttime work over the summer to get us in the door of the ShastaView Apartments (even small towns have low-rent districts). Bill haunted the personnel office of the big Weyerhauser mill outside town, and finally got on there as a welder. 
     Jack Dunham and I kept in touch through the eighth grade and the early years of high school. I'd write about hunting mule deer with Bill in the sagebrush, juniper, and rimrock country east of Klamath Falls; Jack would write about the river.
     We decided to get back to the river one more time before adulthood pried us loose from it. We would get together in August with a couple of Jack's friends, backpack down the Rogue from Galice to Illahe, then take the mailboats on downstream to Gold Beach where his folks would pick us up and drive us back to Grants Pass. Jack and I were both sixteen.

     I'd done the same trip years before as a Boy Scout; Jack, who had lived his whole life almost within walking distance of the river, never had. We put our heads together. Someone couldn't make it in early June because of a family vacation, and some of us had summer jobs through the rest of June and through July into August. But the four of us blocked out everything else for the last week in August: we would walk the river, do it right, and enter our junior years of high school as seasoned wilderness explorers.     
     We knew August wasn't the best time: we'd have to watch for snakes.
     It really was wilderness. The roads we'd used to approach the river as younger kids stopped at Galice, a few miles downstream from Grants Pass, at the beginning of a nearly 50 mile stretch of river that was a legally designated wilderness area. This meant that no motor vehicles could enter the area. If you wanted to see this part of the river, you walked it, or rode a horse or mule, or were one of a few stalwart (and moneyed) souls who shot through the canyons in whitewater boats with professional guides.
     Jack's family had a friend at Galice, a hoaryheaded émigré who had fled the Bolshevik revolution. The story was that he'd lived as a child and young man on a river in Russia, and had settled on the Rogue to live out his years. We spent the night at his place before our "jumpoff;" Jack's two friends would join us early the next morning.

     The old man's cabin was on the inside curve of a big bend in the river, nestled on the bank just above the highwater mark. The river went wide and shallow around the bend, making all the shades there are of green and silver and white as it riffled over the large stones it had rounded over the centuries. The afternoon we showed up, August's blackberry-and-rattlesnake air crowded around us, with sunlight slanting past barely moving leaves to aim dusty inclined shafts of light at the forest floor, leaving leafshadows between them in a pattern so radically bright and dark that, just walking along, the pupils of our eyes would become confused about how much light to let in, so that we'd stumble over roots we'd easily have seen on a cloudy day. 
     When Jack's folks dropped us off in midafternoon, telling us to have a great time and be careful, we dropped our packs on the old man's porch and walked around with him as he showed off his place. The river’s noise – especially to me, who hadn't heard it, hadn't really listened to it, for three years - seemed nothing more or less than a delightful, continuous roar of water flowing swiftly over its rocky bed. 

     The old man lived off his Social Security check and his garden and fish from the river and venison in the fall. The garden grew in the rich silty soil the river deposited in its own bend during high-water times. Weedless rows of corn and green beans and radishes and lettuce were springy with life. Raspberry vines planted in the open to take advantage of daylong sun gave him a flavor to alternate with the fat blackberries he gathered from the roadside. 
     Afternoon slanted into evening. The old man retreated to the interior of his cabin, built of a single vertical layer of weathered boards, and insulated inside with layers of newspaper long since gilded by time and light. His furniture was a big old easy chair, a small wooden table and a couple of stools, and a phonograph. He had a stack of classical records in scuffed jackets.
     A ritual began to be enacted, one of the most guilelessly reverent I have ever seen. As the newspapers on the wall began to glow with just enough of the day's last purple light to read by, the old man knelt and went carefully through his records. He read the labels as if we were not there, his inner ear hearing the choices he made. He settled on an inch-thick stack of records, all he could fit on the spindle that would drop them, one at a time, onto the turntable. 

     With records in place, with evening fading to night, he lit no lantern. Indicating with a wave of his hand that we were welcome to stay, he leaned back in his big chair, put his feet up, and closed his eyes. Jack and I sat quietly for a while, watching the old man inhabit his own world in his own way, and listening to music we'd never heard before, knowing that although it was strange to us, it was right for hearing with the sound of the river. I imagine now that he was playing Rachmaninoff, but I don't know that. Maybe it's just that in my life now, whenever I hear Rachmaninoff, I see that old man and his cabin and his Rogue.
     He'd set the volume so that when a symphony orchestra reached a louder part of the music, it would for a time drown out the sound of the river making its bend behind him. But when the music slipped into a quieter section, the river's chorus would return, would enter the old man's ears, and would, we thought, carry him back to the Russian river of his youth. 
     We tried to listen as we imagined him to be listening. It came to me that the river's sound wasn't uniform at all. If you paid close attention, some unknown watery event upstream and back in time, like light arriving from a long-dead star, would change the volume or speed of the water, it would strike the stones differently, the sound would wax and wane and break into colored pieces, an aural rainbow of splashes and gurgles and wet black and silver whispers. 
     
     Two or three days later, a number of things had happened. We had cursed ourselves for bringing so much food that our packstraps cut into sweaty, salt-rimed shoulders. Tennis shoe insoles had worn through where our toes dug into them from the extra weight and the gravitational acceleration of downhill slogging. We all had prize blisters. Our food ran low; now we cursed ourselves for bringing so little. The work of walking the trails from dawn to dusk had given us appetites we'd never dreamed possible. 
     Fishing became more than fun: it was between us and hunger. We washed the salt and dust from our trailweary bodies by diving off boulders into deep green pools. We walked through birdless forest cathedrals, where boles of Ponderosa pine shot up, branchless for a hundred feet before they put out the canopy that all but blocked sunlight from the forest floor. We passed places with magic names, places Zane Grey had written about in Rogue River Feud, one of his many books about cowboys and mountain men and mountains and rivers and deserts that I had absorbed directly into my bloodstream: Horsehoe Bar, Rainie Falls, Black Bar. 
     We stopped one thirsty afternoon at a miner's homestead cabin; he pulled a quart of homebrewed beer out of a cold spring and shared it with us. It took our heads off: so cold, so good, so forbidden. We clowned our way off into the afternoon, acting drunker that we could possibly have gotten on a quart of beer split five ways. 
     We were in Hell's canyon, where the Rogue narrowed between steep rock walls and pounded its way through, the steepened gradient hurling masses of water at and past the rocks with a violence that impressed four teenage boys, as no parental warning can, that we were in a place wild enough to kill us if we screwed up. Or even if we didn't. 

     As we entered the canyon, we had a little talk. We didn't sound like kids anymore. We were impressed, even scared, by our situation. The nearest road or telephone was probably twenty miles away, in what direction was anybody's guess. A broken ankle would be a disaster of a high order; we discussed who would stay, who would go for help, in what direction, what to carry. And a snakebite here wouldn't be survived by making razor cuts on the bite, applying the Cutter's suction cups, and calling for help. 
     The trail in this part of the canyon was a notch cut in the canyon wall, about halfway up. It was less than two feet wide in places, with a sheer drop below - often too high to survive, should one turn to talk to the guy behind him and be jostled off the trail by his pack hitting the rock face behind him - and a sheer climb above. We'd seen lots of bear shit and tracks; they were coming down to the river to feed on fish and berries. If we met a bear or snake on this part of the trail, there was only one way to go, and that was backwards. Fast, and carefully.

     In our suddenly grownup conference, it was decided that I would lead down the trail into Hell's Canyon. I had the only real weapon, the .22 Ruger SingleSix revolver my mom had helped me buy earlier that year, after my 16th birthday. The wisdom absorbed from the older men in our families asserted itself. We agreed that it would be mighty stupid to shoot a bear with a .22 pistol, if the bear gave us any other choice. Someone said that black bears, the kind we had in that country, had thin skulls - had seen such a skull - the thinnest part being right over the center of the brain. If you have to shoot, shoot for that. If you see a bear, look for cubs, and for God's sake, don't get between a mother and her cubs. 
     Afternoon. We were moving through the canyon, hot, tired, exhilarated, scared. We were all fantasizing wordlessly about cold sodas at Illahe, about did they have cheeseburgers there, about putting our feet up and letting the mail boats speed us to Gold Beach, about soaking our huge blisters in the salty Pacific.
     I heard something beside my ear. I stopped, turned, and looked a rattlesnake in the eyes, six inches away: yellow, round, unlidded, unblinking, with long dark vertical pupils slightly wider at the center of the eye and tapering to points at top and bottom. It seemed then, and seems to me now, that I exchanged stares with those eyes for a lifetime. They became, for the rest of my life, not a symbol (too real for that), but the incarnation of everything strange, dark, evil, dangerous. 
     The cutting of the trail in the canyon wall had left the top of the cut, at this point, exactly at my eye level, and the snake had been sunning itself there. It didn't rattle; what I'd heard was its startled movement in the grass.      
     Things seemed to move in slow motion, but they told me later I'd moved way too fast. I'd nearly knocked all three of them off the trail with my frantic backstepping.      

    I did all this at once, they said. I yelled "RATTLESNAKE!" so loud it must still be echoing in the canyon; I jumped back, slamming my pack into the face of whoever was behind me, starting an unfunny Keystone Cops chain reaction among the four of us; and jerked out the Ruger and cocked it. 
     The snake had moved as quickly. It had moved right at me, all but touching my face, dropping over the rock bank just under my chin, its head almost sliding down inside my shirt front, slithering down the five feet of cut rock to the trailbed where I'd been when I turned to look into its eyes, and started across the trail. Once it was stretched across the trail (it was about three feet long), it stopped, blocking our advance. I raised the pistol, sighted on the body of the snake, moved left along it to where its head must be in the clump of grass it had begun to enter. I had just had a nose-to-nose view of how a rattler's body is built, with the quick taper just behind the head. I couldn't see the head, but I saw the taper, so the head must be just here, where I'm aiming now. I remember to aim a little low, like Bill and my uncle Lank had taught me to do when shooting a pistol.      
     I squeezed. The pistol jumped. I don't remember hearing the shot, but it must have echoed in the canyon. The snake didn't move. I re-cocked the pistol, pulled it back to the right where the thick part of its body rested just above my sights, and fired again. The part of the snake where the bullet hit twisted as the hollow point tore it almost in two, the exposed red flesh dropping back into the dust of the trail. 
     We backed off a few yards and set our packs down. Somebody got me a stick. I walked slowly up to the snake, pistol in right hand, stick in left, and pulled the rest of the inert body back onto the trail. I poked at it until we were sure it was dead, then we got up close to look. The first bullet had torn most of the tissue out from the head; one fang dangled from the skin.
     August or no, the snake either hadn't yet shed its skin, was already wearing a new one, or had skipped the process in the year humans called 1959. Anyway, it had a fine rattle of about ten segments. I cut the rattle off and put it in a small wooden tube we carried some kind of medicine in. That night at our campfire, I held the fleshy part of the rattle against a hot ember, so it wouldn't rot and stink. There was a crackling sound as it cauterized; I snorted the smoke from it back out of my nostrils. Jokes about how they'd have had to put a tourniquet around my neck if the snake had bitten me in the nose sent our nervous, relieved laughter out over the lower reaches of Hell's Canyon.                       

Thursday, September 19, 2013

SUNSET OVER KLAMATH LAKE


Sunset Over Klamath Lake

     Coli Avenue was a dirt street two blocks long. (Thirty years later, it still was.) Our house sat on a knoll between the highway's north entrance to Klamath Falls and the southern end of Klamath Lake. The Cascade Range rose against the sky beyond the lake to the west.     
     One day in 1960 I walked to the mailbox and took out a form letter addressed to me from the Veterans' Administration saying my father was dead. I read it standing by the mailbox. It didn't seem to affect me much at the time. I was seventeen; I'd last seen him when I was eight. 
     One evening after the VA letter came I went behind the house and stood on the knoll and looked out over the lake. It was sunset. The Cascades were an uneven indigo line against the western sky; Mt. McLaughlin still had snow draped around its shoulders. Wind moved clouds around the sky above the mountains; the sun's afterglow played with shades of red, palest pink to crimson of arterial blood, even on to purple. There was enough rain about to punctuate the burning clouds with strokes of grey. 

     The pulsating sky sent tremors through me. An electric arc seemed to jump between my past and future, not distant in time but perhaps in place. The sky seemed to be a signal from that future, a call to go places and do things. It thrilled and frightened me. I couldn't wait to get there. 
     Years later, studying Russian, I would learn the word toská which means, primarily, longing. It combines longing for something one is separated from with sadness at the separation. It can be a longing for something which once was but can never be again, or something desired for the future but which one knows can never be. 
     Now, on the rare occasion when I encounter the word toská, I remember the evening I stood looking across Klamath Lake at the sunset over the Cascades. I also remember how short was the time between that evening of longing and my arrival on the far side of the world in situations far less beautiful, far less calm, far more violent.

Wednesday, September 18, 2013

BATHING BEAUTIES (POEM)


                                    Bathing Beauties
                         Dean Metcalf©1985, 2012
Del Mar Beach,
California 1985

I.

Slipping sideways under Cinzano umbrellas,
afternoon sun hammers ice
through thin walls of tonic glasses,
extruding beads of limesweat.

Greased bodies sizzle,
layed out along the griddle
that is the continent’s edge:
so much sexual bacon.

In the outdoor shower,
bikinied teens preen,
already posing for Playboy.

At the steps to the beach,
where everyone can see,
a couple stand
so everyone can see.

He is tall, blond,
tan, seventeen.

His muscles are from play,
for playing with:
not from work,
not for working with.

She is shorter, blonde,
nubile, fourteen.

She wears four small triangles
     of blue cloth.

She wears her self-assurance
as if she had already done everything
the older men under the Cinzano umbrellas
     are wishing they could do with her
and found it amusing.

She tosses her hair,
turning to devour
the stares
that are devouring her.

                   


II.

She is eighty.
She walks with a cane.
She has trouble with the sand.

At the other end of her life,
the soft girl’s bones of her feet were
broken, toes bent back under the arch
to form the desired opening
for a highborn man’s erection, then bound
to heal, if that is the right word, into
a different kind of foot.

They are still bound,
her childhood trapped there
like butterflies pressed
in a book.

You can see
she loves the sun.

She walks carefully
past the perfect couple
past the sizzling Californians
lifting her withered face
pushing the cane with withered hands
down to where the salt foam
washes her shortened feet,
down to where one wave’s foam
smoothes the sand with its coming,
withers the same sand with its leaving,
the withered sand a mirror to her skin.

She lifts her face
smiles into the sun
smiles toward the West,

toward China.


                                   Dean Metcalf ©1985,2012

Tuesday, September 17, 2013

DRESS BLUES 1


Dress Blues 1

     Bill [Bill Gano, my step-dad] took me to a gun shop in Klamath Falls. We couldn't afford anything, not even a used rifle. We went there to dream. Maybe they'll give me some overtime, Bill said. And we'll pick spuds together on weekends when they come ripe. Maybe we can get a good used .30-30, not this year, but in time for next deer season. We could sure use the meat, save on groceries. Gotta tell your ma that, or she won't let us spend money on a rifle. .30-30's not the best gun for this country, though. Good brush gun, but short range. Need somethin' that'll reach out farther in this open country, .300 Savage maybe. That's a real nice rifle, got a good long barrel, you get a peep sight on the back, with that long distance between sights, you can be real accurate. Bill liked peep sights. He'd gotten used to them during World War II, when he'd fired the Springfield 1903 .30-06, and later, the M-1 Garand. Ought six's a good caliber, he said. You could get a lot of different loads for it, and you could buy ammo anywhere. 
     We were talking like that, and the store owner, who knew we didn't have any money, was letting me handle a used .300 Savage off the rack. He wasn't busy. "Boy handles a rifle real nice," he said, knowing that'd puff me up, which it did. Puffed Bill up a little too, because he'd taught me. 

     The little bell over the door jingled, and a man walked in. Instantly, the three of us were breathing different air. The man wore a striking blue uniform, topped by - of all things in a dusty logging and cattle town - an immaculate white cap with a brown leather brim and a shiny brass emblem. He removed the cap and tucked it under his left arm as he entered. The dark blue uniform tunic had brass buttons and a funny high collar that closed at the throat, and red piping at the sleeves and pockets. There were medals - some shiny silver, some multicolored cloth - on his left breast. The silver medals seemed to represent rifles and pistols. There was a broad crimson stripe down each leg of the blue trousers. 
     The man knew the gun shop owner; they greeted each other. I could sense a subtle change in Bill, even though he was behind me, looking over my shoulder at the man in the strange uniform. 
     The man in the uniform was watching me, seemingly   with approval, handle the .300 Savage with all the aplomb a skinny kid with glasses could muster. He nodded over my shoulder at Bill. "There's a young man I'll be talkin' to one of these days," he said to all of us. Then, to me: "Ever hear of the Marines, son?" He smiled. I was thirteen or fourteen. I knew nothing of him or his world. 
     I did know that both Bill and the gun shop owner had changed when he walked in. 
     "No," I said.
     The man might have said something else. I don’t know. I just remember how he looked, and the feeling he brought into the room. And Bill saying with a testy voice, "He's a little young for that." 
     The man in the glittering blue, white and red uniform did his business and left. I could feel the air in the room return to something like it had been before he came in, though a part of his presence remained. 
     I looked at Bill's face with my question. Part of his answer was already in his face; it contained some mixture of awe and disapproval, with a hint of myth or mystery.
     "Marine recruiter, I guess," Bill said, looking at the gun shop owner, who nodded as he leaned on the counter. I asked who Marines were, lobbing the question for both of them to catch. The store owner said something that confirmed the awe in Bill's face, about Marines being the best fighters. There was more awe in his reply than I saw in Bill's face, with none of the disapproval. 
     I was surprised at the anger in Bill's voice. He said something like, Sure, Marines have a lot of guts, but they don't care, they do all this crazy stuff, just stand up and fix bayonets and walk right into it instead of trying to do the job with less casualties. They get a lot of guys slaughtered just to prove how brave they are. 
     As we walked back to the Studebaker Bill said, very pointedly, that when my time came, I should join any branch of service but the Marines.
     I never forgot Bill's admonition. But the man in blue had done his work.

Saturday, September 14, 2013

MISSING MAN


Missing Man

     The first time I met Bill Motto was on the street outside the Veterans' hall in Santa Cruz. He was holding forth on some book or newspaper article or recent event that, to him, was yet another confirmation of the depths to which U.S. imperialism had sunk in the 20th century. His talk was brilliant, informed, and delivered so fast that even those of us who read a lot and pretty much shared his judgments about U.S. foreign policy had a hard time keeping up with him. Jesus Christ, I thought as I listened to him, this guy's wound too tight for his own good.     
     We got to be friends. But like most of the other vets, I could only handle being with Bill in limited doses. He didn't live anywhere; he "crashed around": he'd stay at a friend's house, keeping as low a profile as possible and helping with chores where he could, but finally just being too jarring a presence in a person's, or a family's, life. He'd either be asked to move on, or would get the hints and do it on his own. Sometimes he'd disappear for a few days or weeks, hang out in San Francisco or his old haunts up the coast around Guerneville, then show up again. I let him crash at my place for a few weeks, but it was a tiny three room rented house and when Bill was camped out in the living room, it wasn't even mine anymore. 
     "Bill," I said to him one day, "this...."
     "It's time, huh?"      
     "Yeah."
     He nodded, smiled a resigned smile, thanked me, and took off.
     One night a few weeks later I came home from a late night in town, and there was Bill, in his sleeping bag, on my living room floor. He was awake when I turned the light on. He shrugged. "I tried," he said. "There wasn't any other place. I'll be gone tomorrow."
     Bill and I were in a Vietnam vets' rap group. There were seven of us, plus a counselor named Greg Anderson who coordinated the group. Greg had been a Marine Sergeant in Nam. 

      Once a week, we sat in a little upstairs room in the Vets' Hall and poured our guts out: combat, nightmares, alcohol, drugs, sex, relationships. A man listening as his lover took hours to die screaming in a foxhole under a mortar barrage. Bill, who was an airborne medic with a deeply ingrained ethic about saving lives, telling about walking across the top of a bunker and being shot in the back from within it, to find out after the bunker was blown up that he'd been shot by a North Vietnamese Army nurse who looked a lot like his first lover, a Filipina girl in East Los Angeles. The nurse died when the bunker was blown. One vet told of killing his first man before he even went to Nam, in a fight with another soldier in a holding cell after a wild weekend pass from Fort Bragg, North Carolina. I told about Tho An (see above, Prologue and chapter “Tho An”), and about the Marine radio operator who blamed me for his friend's death (chapter “You’re Too Late”). 
     We talked about the years since the war, about the forms our rage took, against ourselves and those we loved, or those we wanted to love but couldn't, or those we didn't even know; about too much alcohol, too many drugs, never wanting to be without a weapon; about not being able to sleep, or sleeping with one eye open and a pistol under the pillow, about checking every room you entered for dangerous people and exits, about always preferring a seat in a restaurant with your back in a corner and a door nearby. We learned that we'd lost more vets since the war than the 58,000-plus who were listed as killed there: self-inflicted gunshot wounds, drug overdoses, single car crashes... the Medal of Honor winner who committed suicide by holding up liquor stores with an unloaded gun until one of the owners finally killed him. 

     By the end of each rap session, the eight of us would be wound as tight as if we were about to go on patrol in enemy territory. As we got to know each other better and better, sharing our weaknesses and rage, one thing that kept coming up was how many guys we'd all seen go down because of alcohol, and how most of us faced that danger too. So in letting one another see parts of ourselves we'd mostly kept from others, we became closer, really tight after awhile. 

     So we went drinking together.     
   Most often, we'd walk out the front door of the Vets' Hall after a rap session, cross the street and turn a corner and walk up a flight of stairs to the Teacup, a dark, cozy little bar attached to the Chinese restaurant owned by Don Yee. Sometimes we were pretty wild in the Teacup, sometimes we'd just get drunk and morose. But we talked a lot, letting our defenses down, with the help of alcohol, even more than we did during the rap sessions. 
     During those drinking sessions, Bill and I would often gravitate toward each other. We were the readers of the group, the ones who would devour history books about Vietnam and other wars in U.S. history, and come up with more and more reasons for our anger, convincing ourselves that it wasn't we who were fucked up, it was the world we lived in; and that any sane person who'd seen what we'd seen would be as crazy as we were.

     I thought I'd read a lot. But Bill Motto flabbergasted me with his knowledge. He hadn't even been a Marine  -he'd been with the army's 173rd Airborne Brigade for one of his tours in Vietnam and in an armored unit for the other - but he was the one who first told me the other side of Smedley Butler's story: that, after retiring as a Lieutenant General with 34 years of the most illustrious service in Marine Corps history, Butler had written a book titled War Is a Racket. He had gone on a lecture circuit, using his status as a war hero to denounce U.S. imperialism, saying that during his years of service he had spent most of his time being a strongarm for Brown Brothers Bank and other U.S. corporations.
     Bill told me something else about the History and Traditions of the Marine Corps that I hadn't learned in boot camp. The Battle of Chapultepec, commemorated by the crimson stripe down the trouser leg of officers' and NCOs' Dress Blues – I could have worn such a stripe, had I wanted to spend the money for the uniform - was fought against boys, cadets of the Mexican military academy at Chapultepec - and was thought by some in the U.S. forces to be so unjust that a number of men from an Irish unit in the U.S. Army, the Saint Patrick's Brigade, switched sides and fought for the Mexicans. Some of them were captured and hanged. A friend of Bill's and mine, Chris Matthews, wrote a play about the incident called "A Flag to Fly"; it's been produced in Santa Cruz, Los Angeles, and San Francisco.

     It was from Bill that I first heard about Bohemian Grove. In the Teacup one night, we both already had several beers aboard, and were swapping historical anecdotes. Bill told me about Shell Oil trucks being able to drive freely about Vietnam without being ambushed because they paid off the VC, and about other U.S. and international corporations that supported the war because they had interests there. He recalled Eisenhower's speech justifying aid to the French in their efforts to retain Indochina as a colony. Eisenhower noted the value of Vietnam's tungsten, rubber, and other resources that would be lost to the West if Vietnam fell to the communists. I'd come back with my story about Cho Lon and the "five o'clock follies."(see chapter “Cho Lon”). Bill would come back: "Oh! Oh! Have you read this book? The Politics of Heroin in Southeast Asia? By this guy...." He snapped his fingers to engage his memory. "McCoy! That's it!" He leaned in close with his wildeyed intensity. I took a deep breath. Bill was wired now; it could only end when the bar closed at two a.m. 
     "Alfred..W..McCoy...you gotta read this book. You won't believe this book. Well. Of course you'll believe it. It was, get this, the guy's fucking Ph.D. thesis. The guy went to Nam, went to Laos, went to France. He interviewed all these people. The thing is rigorously documented...." He launched into a synopsis of McCoy's book, beginning with the U.S. Army's deal with Lucky Luciano, the Mafia boss, during World War II. According to McCoy, the Army sprung Luciano from prison and gave him his freedom in exchange for Luciano's use of his connections to provide intelligence and other assistance to pave the way for the allied invasion of Sicily. After the war, the recently freed Luciano went back to heroin dealing, organizing a route that began in the poppy fields of Indochina and ended on the streets of New York, with Marseille as its hub.

     Still according to McCoy, Luciano's network hooked up with French military intelligence in a Mephistophelean bargain: the French officers turned a blind eye to the drug trade in exchange for help against the communists. That help began with using mob thugs to break up dockworkers' strikes in Marseille, then spread to Vietnam and Laos when the drug traffickers showed themselves able to provide intelligence about Ho Chi Minh's independence movement. Then after the French were defeated at Dienbienphu in 1954 and the United States took over the anticommunist crusade there, U.S. intelligence operatives inherited, from their French counterparts, an in-place network of intelligence sources. Later, during the 10-year American chapter of the Vietnam story, pilots for Air America, the CIA's covert air operations company, tacitly admitted hauling opium for the Hmong tribesmen in Laos who made up their mercenary army there(
). In a similar mood another night, Bill began with, “You know who Archimedes Patti is, right?” 
     I was silent for too long a second. “Fuck! How come nobody knows about Archimedes Patti? ... Oh! Shit! This guy..." He leaned closer. His intensity was always high, yet could always be doubled: “...this guy... was a fucking Captain in the OSS – you know, the Army guys in World War II who were clandestine operators, the precursor to the CIA? His job was liaison with General Giap and Ho Chi Minh against the Japanese in World War II... he wrote this book, man...Why Viet Nam?: Prelude to America’s Albatross(16). You gotta read this book. Oh shit man, you gotta gotta gotta read this book. There’s a photo(
) in there, in a jungle clearing in 1945, with Ho’s officers declaring national independence, and their declaration of independence is based on ours ‘cause Thomas Jefferson was a fucking hero of Ho’s, and all these guys are saluting an American flag! Giap, OSS guys, the whole fuckin’ nine yards...”     
     Patti had worked with Ho’s Vietnamese to rescue downed Allied pilots and to conduct anti-Japanese operations in Indochina during WWII, and had an acute sense of the politics of that time and place. He writes that Ho Chi Minh knew his independence movement couldn't survive without his siding with one or the other of the two behemoths already jockeying for position in the post-war world, and tried to ally himself with Uncle Sam.         
   I came back and told Bill about hitchhiking through Laos, bumping into Air America pilots, and having some of that material censored in an article I wrote for the Colorado College Magazine(
). I was told it might offend some of our alumni.  
    Giap, of course, was the general who later commanded the forces which defeated both the French and us Americans in Vietnam. 
     Bill went on to say -  this is borne out in Patti's book   -that the Declaration of Independence read by Ho on September 2, 1945, was modeled on our own, and that Ho appealed to Harry Truman to accept his government as legitimate. But countries which had been major allies of ours during the war - especially Britain, France, and the Netherlands - wanted their Asian colonies back after the war. Truman sided with the colonialists - and the war Bill and I and two and a half million other Americans fought in grew out of that choice.

     I couldn't match Bill's intensity, or his speed at spitting out facts, names, dates. But in my thirst to know more, and in my anger upon learning it, I was right with him.
     By then, we were reeling on our barstools. We talked about the men who had led us into that mess, and how much we hated them: Kennedy, Johnson, Nixon, Kissinger, McNamara, the Bundys, the Lodges (we spoke of the latter name in the plural because of roles played by Henry Cabot Lodge's relatives in such adventures as Eisenhower's CIA-led coup in 1954 against the elected president of Guatemala on behalf of the United Fruit Company).
     Our drunkenness and our anger reached a point where they began to converge, and we began to wish that there were some justice in the world, that the rich old men like those who sent poor young men like us off to fight their wars, lying to us to get us to do it, could be made to suffer some of the same things that they had caused us to suffer, that our comrades whose names were on the Wall in Washington had suffered.
     Bill began telling me about Bohemian Grove, the retreat not too far up the California coast where rich and powerful men, the country's power elite, gathered once a year for their secret self-congratulatory shenanigans.
     "They're all there," Bill said, "every fuckin' one of 'em." He started counting fingers: Reagan, Bush, Meese, Kissinger, McNamara, Schultz, Weinberger, plus the corporate heads whose names we didn't know but who had such influence on our lives. Heads of oil companies, tire companies, auto companies, insurance companies, banks, investment firms....
     "Wouldn't it be great to hit that place? To kill all those bastards in one nice, clean operation?" Bill was leaning in close again, his eyes glittering with the deliciousness of his thought.
     I allowed as how the security must be pretty tight.
   "Hunh! No shit...." He went on to say they had guards all over the place, with submachine guns and walkietalkies and leashed guard dogs.
   Still, it could be done, he said. There's no place that can't be busted, if you have the right people and equipment and you plan it right.

   We talked about how it could be done. You'd have to have intelligence. You'd have to bribe one of the prostitutes or strippers they hired to come in and amuse them. It wouldn't be easy; they paid them a lot and made them sign a secrecy oath and threatened dire consequences if any of them ever talked to outsiders about what went on at Bohemian Grove. But it could be done, with patience and money. Let's say we had the money. Here's the other thing. People like that always screw over people. That's what you'd hafta do, find somebody they really fucked over, take your time, get 'em to talk: what's the layout of the place? What's the electronic security setup? What gates, what wire, what sensors? How many security patrols, how many men each, what weapons, when does the guard change? And what are the billeting arrangements. Where, exactly, does Nixon sleep? Kissinger? Too bad LBJ's already dead.
  We discussed weapons, silencers, equipment, camouflage. Bill, as I remember, was partial to a certain model of Hechler and Koch submachine gun: superb workmanship, reliability. I remember thinking about the problem of being given away by noise, and saying, "What about just a few intense people with knives?" I told Bill about the Randall fighting knife I'd carried in Nam, that I'd since given away.
     Sure enough, we closed down the Teacup. I got home, beery-eyed but in one piece. I stumbled into my bedroom and there, on the desk I'm now using to write this piece, was a bouquet of flowers from my new lover, Annie, who would become my wife of fourteen years. She'd left a note signed "Yer sweetie, A." with a heart beside her initial.

     At times, over the years, I’ve thought that Annie might have saved some lives that night, though probably only mine. Bill and I would never really have done it. We wouldn't have been able to pull it off, and wouldn't have tried even if we'd thought we could. Not once we were sober. But there was another outlet for my rage that she might well have saved me from. I became increasingly angry about U.S. interventions in Central America, especially in Nicaragua, El Salvador, and Guatemala. And I became frustrated that so little of the truth about those situations was known – or acknowledged - by the American people, and further frustrated that probably no amount of truthtelling would make any difference. Reagan and his cowboys just did what they wanted anyway, Congress and public opinion be damned. I even considered going to Central America to fight, this time on the right side. I was just that frustrated, that angry. It had a logic to it: if it truly was as wrong as I knew it to be, and was so deadly to so many innocent people, and if I knew about it and nothing else was working, wasn't I duty bound to put my life where my ideas were?

     A tourist saw his body on the rocks at the base of West Cliff. The autopsy said heart attack. (Bill was in his late 30s or early 40s.)  We learned from his mother, when she came up from Los Angeles for the funeral, that he'd had a history of medical exams showing some mild dysfunction of the heart. But it hadn't been enough to keep him from the Army, or from coming home from Nam with two Bronze Stars and three Purple Hearts (or the other way 'round; I'm not sure which). 
     Anyway, Bill was dead. His body was cremated, and a group of us – including his mother, a sweet lady in her late fifties who immediately adopted us - took his ashes out past the cliff where he'd died to Natural Bridges, to scatter them in the surf. A wooden fence had been erected several feet back from the cliff’s edge, and a sign on the fence said that crossing the fence was prohibited. The State Park Ranger on duty there explained that some people had fallen down the cliff onto the rocks below, and had been badly injured or, in one case, died. We told the Ranger our story and begged him to let us go out to the cliff’s edge. 
     Amazingly, he gave his permission. We climbed the fence, tenderly boosting Mrs. Motto over into several pairs of waiting hands. We walked out and sat on the rocks at the top of the cliff and looked down past our dangling feet to where the surf came in and pounded the rocks and eddied around them.

     Shit. Were we blue. Bill had been a pain in the ass at times, always wanting to crash at our houses, always in your face or in your ear with his intensity. But we all knew that some precious, deeply buried part of each of us had been taken by Bill and lived right out in the open, on the edge of life, to the nth degree. We loved him, and all we had now were a few photos, and the painting Kenny Walker had done of Bill, in long hair, beard, shades and beret, showing off the Combat Medic's badge and jump wings he’d pinned to his leather vest.
     And we had these few handfuls of ashes, with their obscene/holy pieces of charred but recognizable bone. It was a clear, bright afternoon, with little wind. As we tossed the ashes out from the cliff, we could see them float down to the rocks and spume below, taking a long time because of the updraft, swirling about and finally descending like little clouds of autorotating butterflies. 
     Then, for a couple of long minutes, we just sat, silent except for the occasional shit! - which was all any of us could come up with to express how we felt.
     Something moving to the right, northwest of us up the  coast, caught my attention. I turned to look. It was a flight of pelicans, moving toward us, surfing easily along the updraft that climbed the cliff in front of us. "Here comes the honor guard!" I shouted into the wind. 
     The pelicans, flying in as perfect a V as those clumsy/graceful birds can pull off, passed directly in front of us, right at the height of our heads, so close we could see the individual feathers on their wings, even their eyes. I could  hear, as one or two birds made just enough wing movement to maintain both steady altitude in the updraft and their position in the formation, a slight sibilance as feathers slipped across one another.
     As the leader came abreast, I yelped: "Missing Man! Look! They're flying the Missing Man formation!" And so they were, a good V formation with one bird's place vacant on the seaward leg of the V, signifying, when it's flown by military aircraft, the absence of a comrade who's crashed or been brought down by enemy fire.
       We cheered as they passed.     



Thursday, September 12, 2013

KITCHEN POEM


12/16/01

Bacon:
pops and sizzles for the ears,
aroma for the nose. For the nose,
aroma of coffee, burbling in the
percolator, fat blue scent of milk.
Brown smell of hot yellow butter. Warm
yellow butter and hot bread. Good greasy
bacon gravy. Hot fried eggs, busted
runny yellow yolks.  Strong female voices
laugh, lie, whisper, scold, cajole,
teach
pie-crust
secrets.



                                    © 2001, 2013 Dean Metcalf

Monday, September 9, 2013

LLOVIZNANDO EN CHINAMECA


LLOVIZNANDO EN CHINAMECA

SEPTEMBER 9, 2013. My wife and I were having coffee this morning in our apartment in Chía, Colombia. We saw a few tiny raindrops speckle the concrete outside the window before us. “Está lloviznando,” she said.
       Her words slapped my mind back to the moment I first learned the word for “it’s starting to sprinkle.” Summer 1970, I’d just finished the first year of graduate school, and discovered I’d hoarded enough from my fellowship to get me the 300 miles to Mexico, maybe even stay there for the summer, if I didn’t eat much, and traveled “a ventones,” which we usually expressed by the universal gesture of sticking one’s thumb out into the wind. Hitchhiking.
       I carried one book: John Womack’s masterful history Zapata and the Mexican Revolution. I read the book as I hitched around Morelos, the state south of Mexico City where “El Caudillo del Sur,” the Chieftain of the South, El General Don Emiliano Zapato, had lived, fought, and died.
       What had jolted me back in time was a moment from that summer of 1970 when I had been sitting in the dirt beside the highway that crossed Morelos, waiting for my next ride. A Mexican peasant squatted beside me, also waiting for a ride.
       A few sparse raindrops made tiny puffs in the dust and disappeared, leaving not enough sign of their arrival to moisten anything, including us. My campesino acquaintance spoke, casually announcing the raindrops’ simultaneous arrival and disappearance into the roadside dust: “’sta llovisnando, he said.
       The moment didn’t seem significant, yet has stayed with me for 40+ years, because of the details it carried:sitting in roadside dust beside a Morelos highway, reading Womack’s book about Zapata’s life and death in and near the places were he had lived and died. Libraries are good, but this was better.

       A couple of weeks later, I had been to Zapata’s birthplace (Anenecuilco), and followed his hoofbeats  about Morelos. (He was a horseman, a general of the rebel cavalry. I don’t think he walked much). I spoke with some of the viejitos, the old ones, who had been alive during the 10 year conflagration that was the Mexican Civil war, 1910-1920. (I have moved many times since then, including losing my home in Oregon to the bank, in the process also losing nearly all my books, including Womack’s. So I apologize for not having those names at hand.)
       But Chinameca stuck. Buses didn’t go there, because few travelers did either. But trucks hauling livestock did, and one slowed beside the stockade while I stepped down with my mochila and waited for the dust of the departing truck to clear before walking up to the gate. The fort was something out of an old western movie, still very much in use. It was a square structure built of logs, big enough to enclose the soldiers’ barracks, a cookhouse, a tack room, and a stable, as I remember.
       A sergeant was in charge of the entire establishment. I approached him with my questions, told him I was a student following and studying the trail of Zapata’s life, and asked his advice about where I might find a room to rent for the night (while hoping he would offer something that was free). The answer to my question about a rental room was visually obvious before he answered: there was no hotel, rooming house, or anything of the sort in sight. The Chinameca stockade stood alone in the Mexican countryside. It was a military fort, and nothing else.) I then asked his permission to spread my GI poncho on the ground outside the stockade wall.
       Without losing his friendly demeanor, the sergeant shook his head. He said it was a bad idea for me to sleep outside, because of “los borrachitos,” drunks who hung around the stockade and mooched enough tortillas and bottles of oh-so-cheap muscatel wine from passers-by to keep them alive. He made it clear that their behavior couldn’t be vouched for; that thievery was the gentlest thing I could expect from them, and that as the night wore on, weapons would likely appears. Didn’t sound like a good night’s sleep to me. He said I should bring my mochila inside the fort, and spread my poncho on an empty bunk in the soldiers’ quarters. I happily complied.
       Chinameca was not a tourist destination. But the sergeant seemed mildly pleased with my interest in the history of the place, and not at all threatened by my inquiries. While he had nothing like a bookish preparation for questions about what had happened there, every Mexican who lived in the southern part of the country knew, or at least had a close idea about, what that history had been.

       On April 10, 1919, Zapata rode with some 100 of his men to Chinameca, to keep an appointment to negotiate a peace with opposing forces. The two sides agreed on a pact which promised safe passage to soldiers of both sides. Zapata and his men camped just outside the walls of the fortress. Unknown to them, the very rooftops of the fort were covered with opposition soldiers, lying flat on their bellies with loaded carbines, at point-blank range from anyone inside the fort, with the added military advantage of firing down on their targets.
       Shortly after dawn, at a pre-agreed signal, Zapata and his men rode through the gate of Chinameca. But instead of remaining open, per agreement, the gate was quickly shut behind them. The “neutral” opposing forces opened fire from their advantageous position on the rooftops just above Zapata and his soldiers.
       They were slaughtered, including their noble chieftain, El General Emiliano Zapata, El Caudillo del Sur: the Chief of the South.

       The night I spent in Chinameca, I slept on a Mexican Army cot, protected by the fortress walls, beneath the same roof that had hidden Zapata’s killers. (Between 1919 and 1970, it that roof probably been replaced once or twice.)

     That evening in the barracks, I read Womack’s account of the ambush that had taken place, literally, where I sat, walked, and lay down that night.